tag:blogger.com,1999:blog-235974422024-03-13T07:36:36.299+01:00What I am Learning from YouSofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.comBlogger94125tag:blogger.com,1999:blog-23597442.post-10245865786911678512017-01-09T21:03:00.003+01:002017-01-09T21:13:38.309+01:00 LA ESCENA FÉRTIL<div class="separator" style="clear: both; text-align: center;">
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">“</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">I
was an art student and, like all art students, I was encouraged to believe that
there were a few great figures like Picasso and Kandinsky, Rembrandt and Giotto
and so on who sort-of appeared out of nowhere and produced artistic revolution.<o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">As I looked at art more and more, I discovered that that wasn</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">’</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">t really a true picture.<o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">What really happened was that there was sometimes very fertile scenes
involving lots and lots of people [</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">…</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">],
all sorts of people who created a kind of ecology of talent</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">”</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">. <o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt; line-height: 200%;">Brian
Eno. Discurso inaugural del<span style="mso-spacerun: yes;"> </span>Sydney </span></i><a href="http://www.synthtopia.com/content/2009/03/26/brian-eno-curating-sydney-music-fest/"><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt; line-height: 200%; text-decoration: none;">Luminous Festival</span></i></a><i style="mso-bidi-font-style: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt; line-height: 200%;">. 2009<o:p></o:p></span></i></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Me gustan las palabras. Las
sonoras y rotundas como <b style="mso-bidi-font-weight: normal;">audaz</b> o <b style="mso-bidi-font-weight: normal;">fuerza</b>. Las largas como <b style="mso-bidi-font-weight: normal;">heterogeneidad, multidireccional</b> o <b style="mso-bidi-font-weight: normal;">cooperación</b>. Las esdrújulas -que
colecciono compulsiva y secretamente desde niña- como <b style="mso-bidi-font-weight: normal;">límites, crítico, indómito, diálogo </b>o<b style="mso-bidi-font-weight: normal;"> democrática</b>. <o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Me gusta la etimología.
Entender de dónde vienen las palabras me ayuda a comprender el mundo. Pues las
raíces- tantas veces olvidadas- pueden ser un buen un punto de partida.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">Creador:</span></b><span style="font-family: "avenir book"; font-size: 10.0pt;"> el que crea, del latín <i style="mso-bidi-font-style: normal;">creare</i>
(crear, engendrar) a su vez de la raíz indoeuropea <i style="mso-bidi-font-style: normal;">ker </i>(crecer), por tanto: el que crece.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "avenir book"; font-size: 10.0pt;">Educador:</span></b><span style="font-family: "avenir book"; font-size: 10.0pt;"> el que educa, de latín <i style="mso-bidi-font-style: normal;">ex_ducere</i>
(sacar a otro de un determinado estado o de un recinto cerrado, conducir de
dentro a afuera, hacer salir). Por tanto: el que hace salir.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Levadura es un programa
educativo de residencias que facilita la interacción creativa y la generación
de vínculos entre un <b style="mso-bidi-font-weight: normal;">creador educador</b>,
una institución cultural y una comunidad escolar al completo (alumnxs, tutorxs,
padres y madres, personal del centro escolar…). No existen muchas convocatorias
específicas para creadores educadores como ésta. Se ha hablado mucho de los
infinitos beneficios que puede tener para un niño involucrar a un creador (el
que crea) en su proceso educativo. Pero ¿qué puede significar para un creador
(el que crece) extender su práctica a la educación (lo que hace salir)?.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Levadura es un caldo de
cultivo. Un lugar en el que pasan cosas, como en todo auténtico proceso
creativo. Aporta un tiempo y un espacio. Conecta a un grupo de personas
diversas para que suceda la creación (crecimiento) en la experiencia educativa
(hacer salir). Levadura es un espacio fértil en el que el que todo el que crea,
crece.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Y es
que hay un tipo de <b style="mso-bidi-font-weight: normal;">fuerza</b> muy
especial, una energía invisible y poderosa que surge al estar haciendo algo
creativo con otros.<span style="mso-spacerun: yes;"> </span>Las instituciones y
personas que, con su labor <b style="mso-bidi-font-weight: normal;">audaz</b>
hacen posible este programa han demostrado de una manera practica que el arte es
esencial para tejer comunidades fuertes y auténticas. Colaboran en
cultivar<span style="mso-spacerun: yes;"> </span>la voz requerida por todos para
participar en una sociedad democrática, donde todo el mundo tiene derecho a ser
escuchado y a contribuir a la cultura.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Para el creador, el añadir
la acepción educador a su práctica implica una evolución que es casi
irreversible. La de pasar de entender el arte como una herramienta de
comunicación a aceptarlo como herramienta de acción, una herramienta social
directa, y un proceso social. Empujar <b style="mso-bidi-font-weight: normal;">límites</b>.
Flexibilizar. <span style="mso-spacerun: yes;"> </span>Hacer desaparecer el genio
para dar paso al equipo. El vértigo de la incertidumbre. Trascender la propia
práctica artística para hacer realidad, sin permiso, el deseo común que todos
albergamos de convivir en una sociedad más sensible, más justa, mas auténtica. Sin
lugar para fracaso. Desarrollar ideas que construyen y acercan. Nutrirse de la <b style="mso-bidi-font-weight: normal;">heterogeneidad</b>. Cultivar sin cesar la
escucha activa. Dejarse llevar por la emoción de la sorpresa. Enriquecerse en
la <b style="mso-bidi-font-weight: normal;">cooperación </b>y en el aprendizaje <b style="mso-bidi-font-weight: normal;">multidireccional</b>. Bendecir lo incómodo.
Disfrutar del proceso. Ver como todos crecen de un modo natural. Y de ser uno
más en el descubrimiento. <o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Todo el que ha dado ese paso
sabe que no siempre es fácil llevar este tipo de propuestas adelante. Me faltan
dedos de la mano para contar las veces que alguien me ha preguntado qué
demonios es un artista educador (¿es un profesor de dibujo? ¿un animador
infantil?) o porqué llevo mi práctica artística al ámbito educativo (¿entonces
ya no eres artista?). La precariedad, la incomprensión, la falta de espacios,
de voluntad y de tiempos disponibles para este tipo de prácticas en la realidad
cultural actual son el pan nuestro de cada día.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Levadura sin embargo, no
sólo favorece que suceda, sino que dignifica ese proceso. El proceso de artista
que decide imbuirse en una investigación creativa con otros y para otros. Para
crear realidades nuevas pensadas en común. Al que se atreve a adentrarse en <i style="mso-bidi-font-style: normal;">terra incógnita</i> con el diálogo y el
pensamiento crítico como única luz guía. Pero en equipo.</span> <span style="font-family: "avenir book"; font-size: 10.0pt;">Quizás porque también así,
en equipo, se gestó este programa. <o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Levadura es un espacio de
posibilidad en el que el creador educador se siente integrado en una estructura
natural para su práctica. Facilita. Respeta. Acerca. Alimenta. Permite a cada
uno de los involucrados ser el co-responsable de su propia evolución. Con una
comunidad que lo ampara. Lo empodera. Lo une.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Favorece que la experiencia
del docente del aula reglada, que ve a cada uno de sus alumnos como un ser
valioso e importante para nuestra sociedad, el pensamiento indómito del artista
en el que no existe el fracaso si no es como germen de crecimiento y la fuerza
creativa del niñx aún no domada, se cuezan, a fuego lento, al otro lado del
límite, más allá de esa línea elitista de un tipo de cultura en la que ya nadie
tenía nada que aprender.<o:p></o:p></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;"><br /></span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;">Sofía de Juan</span></div>
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<span style="font-family: "avenir book"; font-size: 10.0pt;"><br /></span></div>
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<span style="font-family: "avenir book";"><span style="font-size: 13.3333px;">Texto para publicación de <a href="http://levadura.mataderomadrid.org/" target="_blank">Levadura</a> Programa de creadores en escuelas </span></span><span style="font-family: "avenir book"; font-size: 13.3333px;">2015/2016</span></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-89487772588992988842016-07-07T21:14:00.000+02:002016-07-07T21:40:48.875+02:00Tabú. Proyecto artístico educativo. <div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHRyb7QaNarfppiHBjU7R5-NYQDvft_wCRaW5k998taTPNjs7tQZV5eztZo20rwomWvbWzSrgkHyJyF5QW2gqMCT3VFCqq75XhF2EoylkEickG2FPUB4KTPr32zFYF-w3PN0a3nQ/s1600/TABU-SIN-COVER.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHRyb7QaNarfppiHBjU7R5-NYQDvft_wCRaW5k998taTPNjs7tQZV5eztZo20rwomWvbWzSrgkHyJyF5QW2gqMCT3VFCqq75XhF2EoylkEickG2FPUB4KTPr32zFYF-w3PN0a3nQ/s640/TABU-SIN-COVER.jpg" width="640" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="ES" style="color: black;"><b>TABÚ</b></span><span lang="ES" style="color: black;"> </span><span style="background: white; color: black;">(</span><span style="background: white; color: black;">Del polinesio</span><span style="background: white; color: black;"> <i style="mso-bidi-font-style: normal;">Tapu</i>)<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="background: white; color: black;"><span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">En la lengua del archipiélago de Tonga esta palabra está compuesta de las
raíces <b>ta</b> (tocar) y <b>pu</b> (no). Con ella se designa lo sagrado
y prohibido que no puede <b>tocarse o
nombrarse o hacerse así cómo los lugares que no pueden ser visitados.</b></span></span></i></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><b>¿Qué es un tabú para ti? Cuáles son los tabúes de la sociedad del siglo XXI?</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Vivimos rodeados de normas y límites. Algunas tienen un sentido lógico o práctico. Otras nos ayudan a </span><b style="font-family: "Courier New", Courier, monospace;">encajar</b><span style="font-family: "courier new" , "courier" , monospace;"> en un grupo o sociedad y varían según el contexto social y cultural en el que nos encontremos, enraizándose en el miedo a no ser aceptado dentro del mismo.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipRmraHfWCum3Y2-Cs5AxnvAhBI9-JtL0NNnZnvScEVmq52W3rRdidabk09gDd5omDPvXjX2xw2lRI_usSomz-XjEuWEKojPhn4ur5Uy6XdG3YVyIHUTxfMl1kG9-rJQVV1ZweBA/s1600/tabu-Img-3.jpg" imageanchor="1" style="font-family: "Courier New", Courier, monospace; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipRmraHfWCum3Y2-Cs5AxnvAhBI9-JtL0NNnZnvScEVmq52W3rRdidabk09gDd5omDPvXjX2xw2lRI_usSomz-XjEuWEKojPhn4ur5Uy6XdG3YVyIHUTxfMl1kG9-rJQVV1ZweBA/s640/tabu-Img-3.jpg" width="640" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Muchas de esas normas no están escritas en ninguna parte. Son estereotipos creados. Y sin embargo casi todos las asumimos sin hacernos preguntas. <b>Excluimos y nos sentimos excluidos por ellas.</b> Paralelamente la red genera una libertad virtual en la que todo se visibiliza. Esta contradicción genera una enorme confusión en torno a conceptos como <b>la libertad, el secreto, la censura, la sinceridad y la banalidad</b> que es necesario abordar.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">La falta de diálogo acerca de estos temas se impone a veces sobre la naturalización de los mismos. <b>Tabú </b>es un proyecto artístico-educativo que parte de la convicción de que <b>ese espacio incómodo es el lugar perfecto para que pasen cosas.</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaFrfiy8ySZBqvJhlbFxQT9FCjhnns8ut-OEoRwJx9T48doA_hy_4xXA4nAam-uXWSBk7q_Pe9QDoH3Jj-YsFvoW0I9aEI-3rCiQiAK7yMAmDgbkaU5oNbhdJ56b-IOhYYf94KgA/s1600/tabu-Img-7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaFrfiy8ySZBqvJhlbFxQT9FCjhnns8ut-OEoRwJx9T48doA_hy_4xXA4nAam-uXWSBk7q_Pe9QDoH3Jj-YsFvoW0I9aEI-3rCiQiAK7yMAmDgbkaU5oNbhdJ56b-IOhYYf94KgA/s640/tabu-Img-7.jpg" width="640" /></a></span></div>
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La propuesta brinda espacio creativo de aprendizaje compartido en el que los participantes tienen la oportunidad de <b>cuestionarse críticamente </b>esos límites, su origen, su utilidad y cómo les afectan personalmente a nivel individual y grupal. Este proyecto participativo de creación colectiva está basado en el diálogo audiovisual acerca de nuestras experiencias sobre la prohibición y los límites personales, culturales, de género y sociales tanto el la vida real como en la red. Da voz y explora la visión de los paticipantes acerca de lo que les coarta de manera más o menos tácita, visibilizando sus propuestas de cambio y abarcando conceptos como la libertad, el secreto, la sinceridad o el <b>estereotipo</b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjZ6bDaXXm0vF_tsf5TI-cnkMGouPNnkhu3IL8TNon1H7_sW8hJ5V9QSAwQYr3IW8xcc1UDA3cdRjo5ZKGBUOhOS2M7flkxmDmDJLFRqK-9K9AqBDjRnJ7FcI1KhI-MIzWEAAPyA/s1600/tabu-Img-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjZ6bDaXXm0vF_tsf5TI-cnkMGouPNnkhu3IL8TNon1H7_sW8hJ5V9QSAwQYr3IW8xcc1UDA3cdRjo5ZKGBUOhOS2M7flkxmDmDJLFRqK-9K9AqBDjRnJ7FcI1KhI-MIzWEAAPyA/s640/tabu-Img-1.jpg" width="640" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;">El proyecto piloto </span><span style="font-family: "courier new" , "courier" , monospace;">ha sido desarrollado en mayo de 2016 Madrid con los alumnos de 6º de Primaria del </span><b style="font-family: "Courier New", Courier, monospace;"><a href="http://labmadrid.com/" target="_blank">Colegio Ártica</a> </b><span style="font-family: "courier new" , "courier" , monospace;">dentro del marco de la convocatoria </span><a href="http://levadura.mataderomadrid.org/proyectos/" style="font-family: "Courier New", Courier, monospace;"><b>Levadura: Programa de Residencias de creadores en escuela</b></a><span style="font-family: "courier new" , "courier" , monospace;">; Co-producido por el Ayuntamiento de Madrid (</span><a href="http://www.mataderomadrid.org/ficha/5582/presentacion-tabu.html" style="font-family: "Courier New", Courier, monospace;" target="_blank"><b>Matadero Madrid</b>)</a><span style="font-family: "courier new" , "courier" , monospace;"> y </span><b style="font-family: "Courier New", Courier, monospace;"><a href="https://www.fundacionbancosantander.com/es/programa-levadura" target="_blank">Fundación Banco Santander</a> </b><span style="font-family: "courier new" , "courier" , monospace;">y con la coordinación de</span><b style="font-family: "Courier New", Courier, monospace;"> <a href="http://www.pedagogiasinvisibles.es/" target="_blank">Pedagogías Invisibles</a> </b><span style="font-family: "courier new" , "courier" , monospace;">y la colaboración del artista Miguel Aparicio</span><span style="font-family: "courier new" , "courier" , monospace;">. Las piezas resultantes de esta edición fueron proyectadas en la </span><b style="font-family: "Courier New", Courier, monospace;"><a href="http://www.cinetecamadrid.com/pelicula/presentacion-tabu/2022/" target="_blank">Cineteca Madrid</a></b><span style="font-family: "courier new" , "courier" , monospace;"> en Junio de 2016 abriendo un espacio para la reflexión crítica de los tabúes contemporáneos y su vivencia desde la edad infantil.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">En este video te contamos la experiencia todos los implicados:</span><br />
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<span style="background-color: white; color: #999999; font-family: Courier New, Courier, monospace; font-size: x-small;">In the language of the Tonga Islands this word it is composed by <i>ta</i>(touch) and <i>pu </i>(no). It designates the sacred and forbidden, things that can not be touched or named or made as well as the places that can not be visited.</span></div>
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What is taboo for you? What are the taboos of society in the XXI century? </div>
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<span style="background-color: white; color: #999999; font-family: Courier New, Courier, monospace; font-size: x-small;">We live surrounded by rules and limits. Some have a logical or practical sense. Others are different in each social and cultural context , but help us to fit into a group or society taking root in the fear of not being accepted. Many of these rules are not written anywhere but are created stereotypes. And yet we all assume them without asking questions. We exclude and we feel excluded by them. Simultaneously, internet generates a virtual freedom in which everything is made visible. This contradiction creates enormous confusion about concepts such as freedom, secrecy, censorship, sincerity and banality that need to be addressed. </span></div>
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<span style="background-color: white; color: #999999; font-family: Courier New, Courier, monospace; font-size: x-small;">The lack of dialogue on these issues is sometimes imposed. </span></div>
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<span style="background-color: white; color: #999999; font-family: Courier New, Courier, monospace; font-size: x-small;">Tabú is an artistic-educational project that emerges from the conviction that this uncomfortable space is the perfect place to make things happen. The proposal provides a creative shared space of learning in which participants have the opportunity to critically question those limits, their origin, their usefulness and how they affect them personally as individual and in a group level. This participatory collective creation project is based on the audiovisual dialogue about our experiences on the forbidden: personal, cultural, gender and social boundaries both in real life and online. It is meant to give voice and explore the vision of paticipants about what hinders them more or less tacitly, making visible their proposals for change and embracing concepts such as freedom, secrecy, sincerity or stereotype. </span></div>
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<span style="background-color: white; color: #999999; font-family: Courier New, Courier, monospace; font-size: x-small;">The pilot project was developed in May 2016 Madrid with 6th grade students from Ártica School within the framework of Levadura: Residency Program for creators in school; with the collaboration of the artist Miguel Aparicio. Co-produced by Ayuntamiento de Madrid (Matadero Madrid) and Fundación Banco Santander and coordinated by Pedagogías Invisibles . The resulting pieces of this edition were screened at the Cineteca Madrid in June 2016 opening a space for critical reflection of contemporary taboos and their experience from childhood. In the video above you can see the thoughts and impressions of those involved.</span></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-26719060626023289342015-11-09T09:00:00.000+01:002015-11-09T09:43:03.701+01:00Tarot Averno<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "courier new" , "courier" , monospace;">El Tarot es una baraja de naipes que, además de servir para jugar, se usa a menudo como medio de adivinación del pasado, de la situación presente del consultante y algunas veces del futuro, por lo que constituiría un tipo de cartomancia.</span></div>
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<span style="font-family: Courier New, Courier, monospace;"><b>Averno:</b> Del lat. <i>avernus</i>, <i>-i</i>, Mit. infierno (puerta de entrada al lugar que habitan los espíritus de los muertos).</span><div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "courier new" , "courier" , monospace; text-align: start; text-indent: -24px;">Averno era el nombre que se le daba al cráter de un volcán apagado entre Miseno y Dicearquia, antigua colonia samia, cerca de Cumas, Campania. De acuerdo a la Mitología era la entrada al inframundo. </span></div>
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Procedente a su vez del vocablo griego <i>αορνος</i> (<i>originalmente αϝορνος/ Aornos=</i> sin pájaros) formado por el prefijo de negación α (a= sin) y ὄρνις (ornis = pájaro)</div>
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<span style="font-family: "courier new" , "courier" , monospace;">Esta etimología alude a que la expulsión de los gases tóxicos que se producía en el cráter provocaba el inmediato fallecimiento de cualquier ave que lo cruzase.</span></div>
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<i style="font-family: 'Courier New', Courier, monospace; text-align: start;">Tarot Averno</i><span style="font-family: "courier new" , "courier" , monospace; text-align: start;"> es un proyecto artístico concebido y producido como regalo para la artista </span><a href="https://evarodriguezgongora.wordpress.com/" style="font-family: 'Courier New', Courier, monospace; text-align: start;" target="_blank">Eva Rodríguez Góngora</a><span style="font-family: "courier new" , "courier" , monospace; text-align: start;"> dentro de la red de artistas </span><i style="font-family: 'Courier New', Courier, monospace; text-align: start;"><a href="http://www.carmenthyssenmalaga.org/es/actividad/189" target="_blank">Los amigos invisibles</a></i><span style="font-family: "courier new" , "courier" , monospace; text-align: start;">, un proyecto de producción y vinculación de artistas y productores artísticos de la ciudad de Málaga que utiliza al conocido juego Amigo invisible como modus operandi, proponiendo un desafío a la exploración de nuevos procesos creativos que devengan en nuevas maneras de producir y cuyo resultado ha sido mostrado el pasado verano en el Museo Carmen Thyssen Málaga.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Está compuesto por 28 Arcanos Menores divididos en 4 palos (huevos, nidos, plumas y jaulas/trampas para la caza de aves) y 22 arcanos mayores asociados por su simbología a las conductas y atribuciones significativas de algunas especies de aves.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Tarot Averno es también una de las propuestas creativas que más he disfrutado últimamente y con la que me siento más satisfecha. Quizás por haberla pensado para alguién. Porque esta pieza tiene mucho de mi y mucho de Eva. El azar y las Aves. Dos elementos fundamentales en nuestra vida y en nuestra obra.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Muchas gracias a <a href="http://durnzno.wix.com/durnzno">Leandro Mosco</a>, por seleccionarme para el proyecto y sacarme de mi zona de confort fotográfica, a Eva, por tanta inspiración compartida, y al Museo Carmen Thyssen Málaga por permitir que la magia suceda.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Puedes ver el <i>Tarot Averno</i> completo, carta por carta <a href="http://www.sofiadejuan.com/copyfoto/tarotaverno/index.html" target="_blank">AQUI</a>. Y si quieres más información no dudes en contactarme por privado. </span></div>
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<span style="color: #999999; font-family: Courier New, Courier, monospace;">The Tarot cards are made not only to play, but to dive into the past, the present situation of the client and sometimes the future, which would constitute a sort of fortune-telling. </span><br />
<span style="color: #999999; font-family: Courier New, Courier, monospace;">Averno: (from lat. avernus, -i: Hell) was the name that was given to the crater of an extinct volcano between Miseno and Dicearquia, old Samia colony near Cumae, Campania. According to mythology it was the entrance to the underworld. </span><br />
<span style="color: #999999; font-family: Courier New, Courier, monospace;">The ethymology comes from the Greek word αορνος(originally αϝορνος / Aornos = no birds)that refers to the immediate death of any bird that crossed the crater due to the toxic gas expulsion.</span></div>
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<span style="color: #999999; font-family: Courier New, Courier, monospace;"><i>Tarot Averno</i> is an art project conceived and produced as a gift for the artist <a href="https://evarodriguezgongora.wordpress.com/" target="_blank">Eva Rodriguez Gongora</a> within the artist network <a href="http://www.carmenthyssenmalaga.org/es/actividad/189" target="_blank">Los Amigos Invisibles</a>, a production project that has linked artists and art producers from Malaga city, proposing a challenge to explore new creative processes that bear on new ways to produce. The results has been shown last summer at the Museo Carmen Thyssen Málaga.</span><br />
<span style="color: #999999; font-family: Courier New, Courier, monospace;">this Tarot consists of 28 minor cards divided into four suits (eggs, nests, feathers and cages / traps to hunt birds) and 22 major cards related by its symbolism to an specific bird species.</span><br />
<span style="color: #999999; font-family: Courier New, Courier, monospace;">If you want to see the complete work, card by card, click <a href="http://www.sofiadejuan.com/copyfoto/tarotaverno/index.html">HERE</a>. For any question about the piece feel free to contact me.</span></div>
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Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-74545820138307038032015-09-21T21:55:00.000+02:002015-09-21T22:02:59.268+02:00Para qué vivir?<div class="p1">
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<span style="font-family: Courier New, Courier, monospace;">"- Cuénteme algo de esa civilización - dijo señalando con la mano las ciudades de la montaña.</span><span style="font-family: Courier New, Courier, monospace;"><br /></span><span style="font-family: Courier New, Courier, monospace;"><br /></span><span style="font-family: Courier New, Courier, monospace;">- Sabían cómo vivir con la naturaleza, y cómo entenderla. No trataron de ser sólo </span><span style="font-family: Courier New, Courier, monospace;">hombres y no animales. Cuando apareció Darwin cometimos ese error. Lo recibimos con </span><span style="font-family: Courier New, Courier, monospace;">los brazos abiertos y también a Huxley y a Freud, deshaciéndonos en sonrisas. Después descubrimos que no era posible conciliar las teorías de Darwin con nuestras religiones, o por lo menos así pensamos. Fuimos unos estúpidos. Quisimos derribar a Darwin, Huxley y a Freud. pero era inconmovibles. Y entonces, como unos idiotas, intentamos destruir la religión.</span><br />
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»Lo conseguimos bastante bien. Perdimos nuestra fe y empezamos a preguntarnos para qué vivíamos. Si el arte no era más que la derivación de un deseo frustrado, si la religión no era más que un engaño, ¿para qué la vida? La fe había explicado siempre todas las cosas. Luego todo se fue por el vertedero, junto con Freud y Darwin. <b>Fuimos y somos todavía un pueblo extraviado.</b><br />
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- ¿Y estos marcianos encontraron el camino? - preguntó el capitán.<br />
- Sí. En Marte aprendieron a combinar ciencia y religión para que funcionaran juntas, y se enriquecieran así mutuamente, sin contradecirse.[...]<br />
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- Los marcianos descubrieron el secreto de la vida entre los animales. <b>El animal no discute su vida, vive. No tiene otra razón de Vivir que la vida. Ama la vida y disfruta de la vida. </b>Observe la estatuaria; cómo los símbolos animales se repiten una y otra vez.<br />
- Parece algo pagano.<br />
- Al contrario, son símbolos divinos, símbolos de vida. También en Marte el hombre había llegado a ser demasiado humano, y no bastante animal. Los hombres de Marte comprendieron que <b>si querían sobrevivir tenían que dejar de preguntarse de una vez por todas: «¿Para qué vivir?» La respuesta era la vida misma. La vida era la propagación de más vida, y vivir la mejor vida posible.</b>"<br />
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<i>Crónicas Marcianas</i>. Ray Bradbury.<br />
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“They knew how to live with nature and get along with nature. They didn't try too hard to be all men and no animal. That's the mistake we made when Darwin showed up. We embraced him and Huxley and Freud, all smiles. And then we discovered that Darwin and our religions didn't mix. Or at least we didn't think they did. We were fools. We tried to budge Darwin and Huxley and Freud. They wouldn't move very well. So, like idiots, we tried knocking down religion. We succeeded pretty well. We lost our faith and went around wondering what life was for. If art was no more than a frustrated outflinging of desire, if religion was no more than self-delusion, what good was life? Faith had always given us answer to all things. But it all went down the drain with Freud and Darwin. We were and still are lost people.<br />
The Martians discovered the secret of life among animals. The animal does not question life. It lives. Its very reason for living is life; it enjoys and relishes life. You see — the statuary, the animal symbols, again and again.<br />
“It looks pagan.”<br />
“On the contrary, those are God symbols, symbols of life. Man had become too much man and not enough animal on Mars too. And the men of Mars realized that in order to survive they would have to forgo asking that one question any longer: Why live?Life was its own answer. Life was the propagation of more life and the living of as good a life is possible. ”<br />
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The Martian Chronicles. Ray Bradbury.Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-48242043486913213372013-10-27T12:01:00.001+01:002013-10-27T12:05:15.048+01:00The leisure society<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4iwFSeZayXVz6B3gf8kJNw4rrM5FhR7peY3mvvlsxkeyPPleixZbIN674iMrYYgsQZrPqMdyfXwku0hR8QZGfR1SaYvoIEThGvgqnKzzMZ5l1HBRiNfiQ2_kNMmLcvclSpfBAVg/s1600/IMG_3815.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4iwFSeZayXVz6B3gf8kJNw4rrM5FhR7peY3mvvlsxkeyPPleixZbIN674iMrYYgsQZrPqMdyfXwku0hR8QZGfR1SaYvoIEThGvgqnKzzMZ5l1HBRiNfiQ2_kNMmLcvclSpfBAVg/s400/IMG_3815.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Miguel Hiroshi, percussionist. Pitres, Granada, 2013</td></tr>
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<span style="font-family: Courier New, Courier, monospace;">"No estaría acaso el estudiante dispuesto a entregar algunas raíces hebreas, y el hombre de negocios algunas de sus coronas, por compartir algunos conocimientos que el ocioso posee sobre la vida en general y sobre el Arte de Vivir? </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiXhOshmN4mmMbPTlHBPuXJ-OtNVDmUVeRyPRVHGTrgQLqF-FM8771lwQlwcz0AMhwtVI16SOP4q8Po1mFEVxsbQ1CKwc5rMN_xZBMB_E558Cw0X5fNEXKYLlQwgVF29Yf8Jv3jg/s1600/IMG_3819.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiXhOshmN4mmMbPTlHBPuXJ-OtNVDmUVeRyPRVHGTrgQLqF-FM8771lwQlwcz0AMhwtVI16SOP4q8Po1mFEVxsbQ1CKwc5rMN_xZBMB_E558Cw0X5fNEXKYLlQwgVF29Yf8Jv3jg/s400/IMG_3819.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Raúl <i>"le Sauvage". </i> Villanueva de La Vera, Cáceres, 2013</td></tr>
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<span style="font-family: 'Courier New', Courier, monospace;">El ocioso, incluso, tiene otras y más importantes cualidades que estas. Me refiero a su sabiduría. Él, que con tanto detenimiento ha contemplado las pueriles satisfacciones de los otros en sus entretenimientos, mirará los propios con una muy irónica indulgencia. Su voz no se oirá entre el coro de los dogmáticos. Tendrá siempre una gran comprensión por todo tipo de gentes y opiniones. Del mismo modo que no halla verdades irrefutables, tampoco se identificará con flagrantes falsedades. Su camino lo lleva siempre por vías laterales, no demasiado frecuentadas, pero muy llanas y placenteras, que a menudo se las llama el Belvedere del Sentido Común. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6xlMEuig4LthLByMsow2Ru4aXGiq9fbkqntO2FthjOE5rciFlIf4vAq2lzLoTVmSbkQhRNzyJfZ_Y9WIpGLsqmWW8rovYRz8d4WyZ45bQDSdXwAIkZVePTRWjUjYoyWI93Dv_TA/s1600/IMG_3813.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6xlMEuig4LthLByMsow2Ru4aXGiq9fbkqntO2FthjOE5rciFlIf4vAq2lzLoTVmSbkQhRNzyJfZ_Y9WIpGLsqmWW8rovYRz8d4WyZ45bQDSdXwAIkZVePTRWjUjYoyWI93Dv_TA/s400/IMG_3813.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">José, "<i>the wolf father" </i>with his pack. Santa Fé, Granada, 2013</td></tr>
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<span style="font-family: Courier New, Courier, monospace;">Desde allí contemplará un paisaje, si no noble, al menos agradable. Mientras otros contemplan el Este y el Oeste, el Demonio y la Aurora, él observará contento una suerte de hora matutina que se posa sobre todas las cosas sublunares, con un ejército de sombras que se cruzan rápidamente y en todas direcciones acercándose al luminoso día de la eternidad. Las sombras y las generaciones, los eruditos doctores y las clamorosas guerras, se hunden al cabo y para siempre en el silencio y el vacío. Pero, por encima de todo esto, un hombre puede ver, a través de las ventanas del Belvedere, un paisaje verde y pacífico. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Omar & Aran, two gipsy souls and the Olive tree. <span style="font-family: Times;">Granada, 2013</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">Muchas habitaciones alumbradas; la buena gente que ríe, bebe, y hace el amor como se hacía antes del Diluvio y la revolución francesa; y al viejo pastor que cuenta sus historias bajo el espino".</span></div>
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<i style="font-family: 'Courier New', Courier, monospace;">Apología del Ocio</i><span style="font-family: 'Courier New', Courier, monospace;">, de Robert Louis Stevenson</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Omar,<i> "the kite flyer expert"</i>. Cerro de San Miguel, Granada, 2013</td></tr>
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<span style="background-color: white; color: #333333; line-height: 18px;"><span style="font-family: Courier New, Courier, monospace;"><i>"Nay, and the idler has another and more important quality than these. I mean his wisdom. He who has much looked on at the childish satisfaction of other people in their hobbies, will regard his own with only a very ironical indulgence. He will not be heard among the dogmatists. He will have a great and cool allowance for all sorts of people and opinions. If he finds no out-of-the-way truths, he will identify himself with no very burning falsehood. His way takes him along a by-road, not much frequented, but very even and pleasant, which is called Commonplace Lane, and leads to the Belvedere of Common-sense. Thence he shall command an agreeable, if no very noble prospect; and while others behold the East and West, the Devil and the Sunrise, he will be contentedly aware of a sort of morning hour upon all sublunary things, with an army of shadows running speedily and in many different directions into the great daylight of Eternity. </i></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkDu9wlM7rjCIZcRRXJRKRVdGI5TN74VGyZ3cfkIR_gGEYzYwC_lODJLqq_Wj3l5R8M53oq8UVrfEmeYMVYJfWItdlRdkbU1O565QQCZMNhqQGN_dAeJfpaJjvYvwqdb_S6Ibs6Q/s1600/IMG_2641+copia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkDu9wlM7rjCIZcRRXJRKRVdGI5TN74VGyZ3cfkIR_gGEYzYwC_lODJLqq_Wj3l5R8M53oq8UVrfEmeYMVYJfWItdlRdkbU1O565QQCZMNhqQGN_dAeJfpaJjvYvwqdb_S6Ibs6Q/s400/IMG_2641+copia.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Youngsters practicing to became good idlers. Villanueva de La Vera, Cáceres, 2013</td></tr>
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<span style="background-color: white; color: #333333; line-height: 18px;"><span style="font-family: Courier New, Courier, monospace;"><i>The shadows and the generations, the shrill doctors and the plangent wars, go by into ultimate silence and emptiness; but underneath all this, a man may see, out of the Belvedere windows, much green and peaceful landscape; many firelit parlours;</i></span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Girl practicing to became a good idler. Villanueva de La Vera, Cáceres, 2013</td></tr>
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<span style="background-color: white; color: #333333; line-height: 18px;"><span style="font-family: Courier New, Courier, monospace;"><i>good people laughing, drinking, and making love as they did before the Flood or the French Revolution; and the old shepherd telling his tale under the hawthorn".</i></span></span></div>
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<span class="fn" style="margin: 0px; padding: 0px; text-decoration: inherit;"><span style="font-family: Courier New, Courier, monospace; font-size: small;"><i>"An Apology for Idlers," by Robert Louis Stevenson</i></span></span></h1>
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Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-34737965218999711552013-03-11T23:47:00.001+01:002013-10-27T10:55:42.583+01:00I dont know<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">"This is why I value that little phrase "I don't know" so highly. It's small, but it flies on mighty wings. It expands our lives to include the spaces within us as well as those outer expanses in which our tiny Earth hangs suspended. If Isaac Newton had never said to himself "I don't know," the apples in his little orchard might have dropped to the ground like hailstones and at best he would have stooped to pick them up and gobble them with gusto. Had my compatriot<span class="general_text"><span class="article_text"> María Sklodowska-Curie </span></span>never said to herself "I don't know", she probably would have wound up teaching chemistry at some private high school for young ladies from good families, and would have ended her days performing this otherwise perfectly respectable job. But she kept on saying "I don't know," and these words led her, not just once but twice, to Stockholm, where restless, questing spirits are occasionally rewarded with the Nobel Prize."</span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><i>Wislawa Szymborska "The Poet and the World". Nobel Lecture, December 7, 1996</i></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span class="general_text"><span class="article_text">"Estimo altamente
estas dos pequeñas palabras: "no sé". Pequeñas, pero dotadas de alas
para el vuelo. Nos agrandan la vida hasta una dimensión que no cabe en
nosotros mismos y hasta el tamaño en el que está suspendida nuestra
Tierra diminuta. Si Isaac Newton no se hubiera dicho "no sé", las
manzanas en su jardín podrían seguir cayendo como granizo, y él, en el
mejor de los casos, solamente se inclinaría para recogerlas y
comérselas. Si mi compatriota María Sklodowska-Curie no se hubiera dicho "no sé", probablemente se habría quedado como maestra de química en
un colegio para señoritas de buena familia y en este trabajo, por otra
parte muy decente, se le hubiera ido la vida. Pero siguió repitiéndose "no sé" y justo estas palabras la trajeron dos veces a Estocolmo,
donde se otorgan los premios Nobel a personas de espíritu inquieto y en
búsqueda constante."</span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><i>Wislawa Szymborska "EL poeta y el mundo". Discurso del Premio Nobel, 7 de diciembre 1996</i></span></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-20348310466633604682013-02-10T23:46:00.001+01:002013-10-27T10:54:54.914+01:00Hacia lo salvaje<br />
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<span style="font-family: "Courier New",Courier,monospace;"> "I think I could turn and live with animals, <br />they are so placid and self-contain’d, <br />I stand and look at them long and long. <br /><br />They do not sweat and whine about their condition, <br />They do not lie awake in the dark and weep for their sins, <br />They do not make me sick discussing their duty to God, <br /><br />Not one is dissatisfied, not one is demented with the mania of owning things, <br />Not one kneels to another, nor to his kind that lived thousands of years ago, <br />Not one is respectable or unhappy over the whole earth." <br /><br /><i>Walt Withman "Song of myself"</i></span></div>
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<span style="font-family: "Courier New",Courier,monospace;">"Creo que podría transformarme y vivir con los animales.</span><br /><span style="font-family: "Courier New",Courier,monospace;">¡Son tan apacibles y dueños de sí mismos!</span><br /><span style="font-family: "Courier New",Courier,monospace;">Me paro a contemplarlos durante tiempo y más tiempo.</span></div>
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<br /><span style="font-family: "Courier New",Courier,monospace;">No sudan ni se quejan de su suerte,</span><br /><span style="font-family: "Courier New",Courier,monospace;">no se pasan la noche en vela,</span><br /><span style="font-family: "Courier New",Courier,monospace;">llorando por sus pecados,</span><br /><span style="font-family: "Courier New",Courier,monospace;">no me fastidian hablando de sus deberes para con Dios.</span></div>
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<br /><span style="font-family: "Courier New",Courier,monospace;">Ninguno está insatisfecho,</span><br /><span style="font-family: "Courier New",Courier,monospace;">a ninguno le enloquece la manía de poseer cosas.</span><br /><span style="font-family: "Courier New",Courier,monospace;">Ninguno se arrodilla ante otro,</span><br /><span style="font-family: "Courier New",Courier,monospace;">ni ante los congéneres que vivieron hace miles de años.</span><br /><span style="font-family: "Courier New",Courier,monospace;">Ninguno es respetable ni desgraciado en todo el ancho mundo".</span><br /><span style="font-family: "Courier New",Courier,monospace;"></span><br /><span style="font-family: "Courier New",Courier,monospace;">Walt Withman "Song of myself"</span></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-65153025932213043732012-12-23T16:13:00.000+01:002012-12-23T16:14:07.779+01:00About acceptance<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">"La asombrosa realidad de las cosas<br />es mi descubrimiento de cada día.<br />Cada cosa es lo que es,<br />y es difícil explicarle a alguien cuánto me alegra esto,<br />y cuánto me basta.<br />Basta existir para sentirse completo".</span></div>
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<i><span style="font-family: "Courier New",Courier,monospace;">Fernando Pessoa</span></i></div>
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<i><span style="font-family: "Courier New",Courier,monospace;">__________</span></i></div>
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<span style="color: #999999;"><span style="font-family: "Courier New",Courier,monospace;">"The amazing reality of things </span></span></div>
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<span style="color: #999999;"><span style="font-family: "Courier New",Courier,monospace;">is my discovery of everyday. </span></span></div>
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<span style="color: #999999;"><span style="font-family: "Courier New",Courier,monospace;">Every thing is what it is, </span></span></div>
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<span style="color: #999999;"><span style="font-family: "Courier New",Courier,monospace;">and it's difficult to explain to someone how much I welcome this, and how much is enough for me. </span></span></div>
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<span style="color: #999999;"><span style="font-family: "Courier New",Courier,monospace;">Existing is just enought to make me feel complete."<br /> </span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="color: #999999;"><i>Fernando Pessoa</i> </span></span></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-41446560489751786962012-09-17T09:35:00.000+02:002012-09-17T09:35:20.310+02:00Slowness <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">“There is a secret bond between slowness and memory, between speed and forgetting.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down.</span></div>
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<span style="font-family: "Courier New",Courier,monospace;">Meanwhile, a person who wants to forget a disagreeable incident he has just lived through starts unconsciously to speed up his pace, as if he were trying to distance himeself from a thing still too close to him in time.<br /><br />The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting”</span> </div>
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<span style="font-family: "Courier New",Courier,monospace;"><i>Milan Kundera, Slowness
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<span style="font-family: "Courier New",Courier,monospace;"></span><br />Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com1tag:blogger.com,1999:blog-23597442.post-49531858027704910242012-03-26T09:00:00.000+02:002012-08-19T00:41:54.771+02:00La Loba<div style="font-family: "Courier New",Courier,monospace;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXehhYOY8xsE6OCQB1bm9lz5ccLnSlW2rb-IXyb5R09qxbILycp70wofsaHhdeerv5Oos5Ravl_iXoQNMDYcmKSrtfoBToZrFJzfb72FfPWZD8fAi0avLjdjPihnjS7ZBW5QNk6w/s1600/IMG_9414.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXehhYOY8xsE6OCQB1bm9lz5ccLnSlW2rb-IXyb5R09qxbILycp70wofsaHhdeerv5Oos5Ravl_iXoQNMDYcmKSrtfoBToZrFJzfb72FfPWZD8fAi0avLjdjPihnjS7ZBW5QNk6w/s640/IMG_9414.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">Karma, 5-months-old she wolf, Granada 2012</span></td></tr>
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"The work of La Loba is collecting bones. She collects and
preserves especially what is in danger of being lost to the world.
Her cave is filled with the bones of all manner of desert creatures:
the deer, the rattlesnake, the crow. But her specialty is wolves. <br />
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She
creeps and crawls and sifts through the mountains, and dry riverbeds, looking for wolf bones, and when she has
assembled an entire skeleton, when the last bone is in place and the
beautiful white sculpture of the creature is laid out before her, she
sits by the fire and thinks about what song she will sing. <br />
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And
when she is sure, she stands over the criatura, raises her arms over
it, and sings out. That is when the rib bones and leg bones of the wolf
begin to flesh out and the creature becomes furred. La Loba sings some
more, and more of the creature comes into being; its tail curls upward,
shaggy and strong. <br />
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And La Loba sings more and the wolf creature begins to breathe.<br />
And
still La Loba sings so deeply that the floor of the desert shakes, and
as she sings, the wolf opens its eyes, leaps up, and runs away down the
canyon. <br />
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Somewhere in its running, whether by the speed of its
running, or by splashing its way into a river, or by way of a ray of
sunlight or moonlight hitting it right in the side, the wolf is suddenly
transformed into a laughing woman who runs free towards the horizon". </div>
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<i style="font-family: "Courier New",Courier,monospace;">Dr. Clarissa Estes, Women Who Run With The Wolves</i>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com1tag:blogger.com,1999:blog-23597442.post-39368679044104748882011-10-14T06:14:00.000+02:002012-08-19T00:42:22.983+02:00The perfect city<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span class="notranslate"><span class="nw">"The Town is</span> <span class="nw">fair in its own way. The things you need, the things you need to know, one by one the</span> <span class="nw">Town will set these before you. Hear me now: this Town is perfect. And by perfect, I</span> <span class="nw">mean complete. It has everything. But if you cannot see that, </span></span>if you are not able to assimilate the things that happen to you in a meaningful way, <span class="notranslate"><span class="nw">then it has nothing. A perfect</span> <span class="nw">nothing. </span></span></span></div>
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<span style="font-size: small;"><span class="notranslate"><span class="nw">Remember this well. This is as much as anyone can tell you; </span><span class="nw"></span></span></span></div>
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<span style="font-size: small;">what others can teach you ends in itself, what you learn on your own became a part of you. And It will became a big help for you. <span class="notranslate"><span class="nw">Open your eyes, train your ears, use your head, </span></span> figure out the meaning of the things the city is showing you<span class="notranslate"><span class="nw">. If you have a heart</span><span class="nw" style="word-spacing: 0em;">, </span></span>help yourself and <span class="notranslate"><span class="nw" style="word-spacing: 0em;">use it while you can.</span></span> </span></div>
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<span style="font-size: small;"> it's all I can teach you. <span class="notranslate"><span class="nw">The rest you must</span> <span class="nw">learn for yourself. </span></span> " </span></div>
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<i><span style="font-family: "Courier New",Courier,monospace; font-size: small;">"Hard-Boiled Wonderland and the End of the World". Haruki Murakami</span><b><br />
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<span style="font-family: "Courier New",Courier,monospace; font-size: small;">"La ciudad, en cierto sentido, es justa. A partir de ahora te irá mostrando, una a una, las cosas que necesites, las cosas que debas saber. Y tú tendrás que ir entendiéndolas por ti mismo, una tras otra, conforme te vayan llegando. ¿Comprendes? Esta ciudad es perfecta. Y perfección significa tenerlo todo. Pero si tú no eres capaz de asimilar de manera provechosa las cosas que te sucedan, te encontrarás con que no hay nada. Un vacío perfecto.</span><br />
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Recuerda bien lo que voy a decirte: lo que puedan enseñarte los demás acaba en sí mismo, lo que aprendes por tu propia cuenta forma parte de ti. Y te será de gran ayuda. Abre tus ojos, aguza el oído, haz trabajar la cabeza, descifra el significado de las cosas que te muestra la ciudad. Ya que tienes corazón, sírvete de él mientras puedas, es lo único que puedo enseñarte."</div>
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<i><span style="font-family: "Courier New",Courier,monospace; font-size: small;">"</span></i><span class="st">El fin del Mundo y un despiadado <i>País</i> de las <i>Maravillas</i></span><i><span style="font-family: "Courier New",Courier,monospace; font-size: small;">". Haruki Murakami</span></i></div>
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Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com1Nueva York, EEUU40.7143528 -74.005973140.4942638 -74.2853821 40.9344418 -73.7265641tag:blogger.com,1999:blog-23597442.post-77622725687569299192011-07-12T20:05:00.001+02:002012-08-19T00:49:36.269+02:00Living like an animal (about the coixistence)<div class="separator" style="clear: both; text-align: center;">
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"Me devora</div>
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mi miedo devorador<br />
a ser devorado</div>
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por tu miedo devorador<br />
a que te devore".</div>
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<i>Kiko Veneno, Animales, 1977</i> </div>
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"I am being consumed<br />
by my all-consuming fear<br />
to be consumed </div>
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by your all-consuming fear<br />
to be consumed by me".</div>
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<i style="font-family: "Courier New",Courier,monospace;">Kiko Veneno, Animales, 1977</i></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com1tag:blogger.com,1999:blog-23597442.post-6050325601480102842011-06-05T17:56:00.002+02:002012-08-19T01:03:32.027+02:00MAS PALABRAS HABLADAS<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">3º Palabras Habladas 2011. Ebba</span><i style="font-family: "Courier New",Courier,monospace;"></i><span style="font-family: "Courier New",Courier,monospace;"> Rohweder en el Palacio de Cristal.</span></td></tr>
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<span style="font-size: small;">Recuperar de nuevo los nombres de las cosas</span></div>
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<span style="font-size: small;">llamarle pan al pan, vino, llamarle al vino</span> </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgk1l1h6HpEV8E2oTee2t6PiTVu_l7AqLlMykQ4CIkWDiqNDEhpglhlHf2XUzPERzJkceDBHK-bT-Oqc9e_l7vsMWwVTzoT3PacM8N2vipnUuS9-fWzJ_LALM62j8UEbmzt8cPQg/s1600/IMG_7398.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="441" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgk1l1h6HpEV8E2oTee2t6PiTVu_l7AqLlMykQ4CIkWDiqNDEhpglhlHf2XUzPERzJkceDBHK-bT-Oqc9e_l7vsMWwVTzoT3PacM8N2vipnUuS9-fWzJ_LALM62j8UEbmzt8cPQg/s640/IMG_7398.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">3º Palabras Habladas 2011. Ebba</span><i style="font-family: "Courier New",Courier,monospace;"></i><span style="font-family: "Courier New",Courier,monospace;"> Rohweder en el Palacio de Cristal.</span></td></tr>
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<span style="font-family: "Courier New",Courier,monospace;">al sobaco, sobaco, miserable al destino</span><br />
<span style="font-family: "Courier New",Courier,monospace; font-size: small;">y al que mata llamarle de una vez asesino.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">5º Palabras Habladas 2011. Claudia Faci</span><span style="font-family: "Courier New",Courier,monospace;"> en el Templete de Música del Retiro.</span></td></tr>
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Nos lo robaron todo, las palabras, el sexo<br />
los nombres entrañables del amor y los cuerpos</div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">5º Palabras Habladas 2011. Claudia Faci</span><span style="font-family: "Courier New",Courier,monospace;"> en el Templete de Música del Retiro</span></td></tr>
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<span style="font-family: "Courier New",Courier,monospace;">la gloria de estar vivos, la crítica, la historia</span></div>
<span style="font-family: "Courier New",Courier,monospace;">pero no consiguieron robarnos la memoria.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">"PALABRAS COMO CUERPOS". Joaquin Sabina <br />
<a href="http://www.hablarenarte.com/img_galeriawebHeA/palabras%20habladas%202011/palabras2011_galeria_imagenes.htm">+ info</a></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">5º Palabras Habladas 2011. Claudia Faci</span><span style="font-family: "Courier New",Courier,monospace;"> en el Templete de Música del Retiro</span></td></tr>
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<span style="font-family: "Courier New",Courier,monospace;">To recover back the names of things</span><br />
<span style="font-family: "Courier New",Courier,monospace;">to call bread to the bread, wine to the wine</span></div>
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<tr style="font-family: "Courier New",Courier,monospace;"><td class="tr-caption" style="text-align: center;">2º Palabras Habladas 2011. Olaia Pazos en Biblioteca de la UNED Escuelas Pias</td></tr>
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<span style="font-family: "Courier New",Courier,monospace;">call armpit, to the armpits, miserable to the fate</span></div>
<span style="font-family: "Courier New",Courier,monospace;"> and to the one who kills call it once and for all, a murderer.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Courier New",Courier,monospace;">1º Palabras Habladas 2011. Joana Brabo.</span><span style="font-family: "Courier New",Courier,monospace;"> Mercado de Antón Martín</span></td></tr>
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<span style="font-family: "Courier New",Courier,monospace;">They stole us all: words, sex</span><br />
<span style="font-family: "Courier New",Courier,monospace;"> endearing names of love and bodies</span><br />
<span style="font-family: "Courier New",Courier,monospace;"> the glory of being alive, criticism, history</span><br />
<span style="font-family: "Courier New",Courier,monospace;"> but they didnt get to steal us the memory.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> "Words like Bodies" Joaquin Sabina</span></div>
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<span style="font-family: "Courier New",Courier,monospace;"></span><a href="http://www.hablarenarte.com/img_galeriawebHeA/palabras%20habladas%202011/palabras2011_galeria_imagenes.htm" style="font-family: "Courier New",Courier,monospace;">+ info</a><span style="font-family: "Courier New",Courier,monospace;"> </span></div>
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Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com3tag:blogger.com,1999:blog-23597442.post-59291447619744020612011-04-30T00:23:00.002+02:002012-08-19T01:02:34.694+02:00About Learning<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi30JlZ9RWMK1FYK3PWvOwdJRiq5rJ8X7CcX9sN0wv5ORy9acjgWDJhxNMr0XyFZbfyFLMymB9k_FCnDWZRcYF6BJxEfd58EANLjdC9ae-9_-c-aVZgsl4K7uSOl2FQaRslQ68GVQ/s1600/PANELES_FOTOS-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi30JlZ9RWMK1FYK3PWvOwdJRiq5rJ8X7CcX9sN0wv5ORy9acjgWDJhxNMr0XyFZbfyFLMymB9k_FCnDWZRcYF6BJxEfd58EANLjdC9ae-9_-c-aVZgsl4K7uSOl2FQaRslQ68GVQ/s640/PANELES_FOTOS-1.jpg" width="640" /></a></div>
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Oh, the thinks you can think!</div>
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Oh, the thinks you can think</div>
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If you're willing to try...</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Yp41mLY3aCJ89XmxEEoT705TasEyWwotyQ04SgnexJP4DXMwB79wNo1E6ZUsUPB-mUy0bi1XkJxRWYQIi9uCMpNeWn-7mreO2HO40WhF4Emr_TgpRxj6ZwYV3gKeeEpMNIMHtg/s1600/PANELES_FOTOS-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Yp41mLY3aCJ89XmxEEoT705TasEyWwotyQ04SgnexJP4DXMwB79wNo1E6ZUsUPB-mUy0bi1XkJxRWYQIi9uCMpNeWn-7mreO2HO40WhF4Emr_TgpRxj6ZwYV3gKeeEpMNIMHtg/s640/PANELES_FOTOS-2.jpg" width="640" /></a></div>
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Think invisible ink! </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht3KBQXoBAkKFbbuwN0pb6uZmUWpLKauERG62ozSqnk5UNRMufwp3nxeRNBK8LpI30Uy9u7-izVIw60Q_LF3zcqfWhmaqZvHFCt7hSFzI5PZe1WIigVNyweCwhlP8EkGwXbytWCA/s1600/PANELES_FOTOS-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht3KBQXoBAkKFbbuwN0pb6uZmUWpLKauERG62ozSqnk5UNRMufwp3nxeRNBK8LpI30Uy9u7-izVIw60Q_LF3zcqfWhmaqZvHFCt7hSFzI5PZe1WIigVNyweCwhlP8EkGwXbytWCA/s640/PANELES_FOTOS-3.jpg" width="640" /></a></div>
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Or a gink with a stink! </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfCEnCeHU6bKcitF-AFG7E-ezq3FInO6f1qiDCvKfsv5KtlGXU7b6SFd28cEkUGWz2mqQ06qm4K8mr2TWjiUauC9FTgNHyGNS61btnA-5DQcIcSSSF3yJvp3UCuEz9Z5Jqx4iUbA/s1600/PANELES_FOTOS-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfCEnCeHU6bKcitF-AFG7E-ezq3FInO6f1qiDCvKfsv5KtlGXU7b6SFd28cEkUGWz2mqQ06qm4K8mr2TWjiUauC9FTgNHyGNS61btnA-5DQcIcSSSF3yJvp3UCuEz9Z5Jqx4iUbA/s640/PANELES_FOTOS-5.jpg" width="640" /></a></div>
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Or a stair to the sky...</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMCX59c73d9MSrWykXa6bZFXzTwS5mBvY-iMGJ2KAV0PWl1PH1DTTG5CCmO6CsmoaP5PR_oJvvRPKWP2ruUpO7IDqM7r1WNsW-vEKzWMYiduZ8116Bq_MGD3SiLfBThjiZNhLaMg/s1600/PANELES_FOTOS-6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMCX59c73d9MSrWykXa6bZFXzTwS5mBvY-iMGJ2KAV0PWl1PH1DTTG5CCmO6CsmoaP5PR_oJvvRPKWP2ruUpO7IDqM7r1WNsW-vEKzWMYiduZ8116Bq_MGD3SiLfBThjiZNhLaMg/s640/PANELES_FOTOS-6.jpg" width="640" /></a></div>
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If you open your mind, <br />
Oh, the thinks you will find<br />
Lining up to get loose...[...]</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZWE7HWdI2S0t7SPoxfamCv3fCFpMMIi_RBN5B2JDzPbm0xVByxwQCwZH2-7TJ-uhcqKKD66XbyGtU66FVcqn_hzjI96_-c0cn3dLz6EC2Yx8jDwhd71-GmAweEUQztReG-0MRmg/s1600/PANELES_FOTOS-7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZWE7HWdI2S0t7SPoxfamCv3fCFpMMIi_RBN5B2JDzPbm0xVByxwQCwZH2-7TJ-uhcqKKD66XbyGtU66FVcqn_hzjI96_-c0cn3dLz6EC2Yx8jDwhd71-GmAweEUQztReG-0MRmg/s640/PANELES_FOTOS-7.jpg" width="640" /></a></div>
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Oh, the thinks you can think </div>
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Think and wonder and dream-<br />
Far and wide as you dare! <br />
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<i>"Oh, the Thinks You Can Think! "Dr. Seuss </i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSS-1n4v7cLk4C55iU9C7bS-iUIgtLw0sxTyUorckJptV68EUL7s4ELtqV4RDuh1R7XqAf_Q9o2tdofvx3CTXSGFlQ7q2Xpl-5dumPtRWfvQQXAeiDhIzNIuPLyl2KKLupvMu0Ow/s1600/PANELES_FOTOS-8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="563" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSS-1n4v7cLk4C55iU9C7bS-iUIgtLw0sxTyUorckJptV68EUL7s4ELtqV4RDuh1R7XqAf_Q9o2tdofvx3CTXSGFlQ7q2Xpl-5dumPtRWfvQQXAeiDhIzNIuPLyl2KKLupvMu0Ow/s640/PANELES_FOTOS-8.jpg" width="640" /></a></div>
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<span style="font-size: x-small;">Campaña "HACIA LA COHESIÓN SOCIAL A TRAVÉS DEL APRENDIZAJE PERMANENTE" </span></div>
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<span style="font-size: x-small;">para Ministerio de Educacion y Ciencia. Transit Projectes & Hablar en Arte 2010</span></div>
Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com5tag:blogger.com,1999:blog-23597442.post-80562503550070468412011-02-22T00:00:00.000+01:002012-08-19T01:04:44.978+02:00The photographer's attitude<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF5wRmm9sW4ytFDitdqh535UTA_jVZecGJRM0zPVz3-G3fKsGdmAeHch9-ti4EHiCxKBZnRnlZ64JqmgWB5s72hTaGtPG897-jwbbLhJtxtHHckNHSrR62-84vdfCDh41FZ-qzMg/s1600/IMG_6154.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF5wRmm9sW4ytFDitdqh535UTA_jVZecGJRM0zPVz3-G3fKsGdmAeHch9-ti4EHiCxKBZnRnlZ64JqmgWB5s72hTaGtPG897-jwbbLhJtxtHHckNHSrR62-84vdfCDh41FZ-qzMg/s640/IMG_6154.jpg" width="640" /></a></div>
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" A veces habla de un viaje en tren, entre la estación de Paddington y Oxford, en el que conoció a un fotógrafo que estaba casi ciego. Llevaba gafas oscuras y dijo que se había dañado la retina hacía diez años, durante un viaje a la Antártida. Llevaba el traje muy bien planchado» y sostenía una cámara sobre las rodillas. Decía que ahora veía el mundo de otra manera, y no forzosamente peor. Preguntó a mi madre si podía hacerle una foto.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFTDJc0Mih6gXbBHPLTucXXV1g4H9qT_2RDfU-MJrvhpyaADSbY4OSza6ibfvjDGCxixCZ5o5_Wpf7hqzn511QVTwWbKEku-3bKT_HQ9POIZPSpjr5Jb-bHC-XfmLN_3S1kuROQg/s1600/IMG_5924.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="416" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFTDJc0Mih6gXbBHPLTucXXV1g4H9qT_2RDfU-MJrvhpyaADSbY4OSza6ibfvjDGCxixCZ5o5_Wpf7hqzn511QVTwWbKEku-3bKT_HQ9POIZPSpjr5Jb-bHC-XfmLN_3S1kuROQg/s640/IMG_5924.jpg" width="640" /></a></div>
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Cuando él levantó la cámara y miró a través del visor, mi madre le preguntó qué veía. «Lo mismo de siempre», respondió él. «¿Qué es?»«Una mancha borrosa», dijo él. «Entonces, ¿Por qué lo hace?»«Por si un día se me curan los ojos. Para saber lo que estuve mirando»".<br />
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<i>"La historia del amor" Nicole Krauss</i><br />
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"Sometimes she talks about a train journey from Paddington station to Oxford, where she met a photographer who was almost blind. He wore dark glasses and said he had damaged his retina ten years ago, during a trip to the Antartica. He was wearing a very well-pressed suit and held a camera on his knees. He said he now saw the world differently, not necessarily worse. He asked my mother if he could make a picture of her. <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiluU7Y2icsilr9XxYCo8Gn2P9nH4pcqk-KRQi4AOnN5BBub4thhjsBmz7aOBdj7FHaMkKs1FpZCaMblMzAueolz2nbkA0fNrPV13vp5aBINbWZIPeJpES55RZh7e3c3Lj38pw2LQ/s1600/IMG_5994.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiluU7Y2icsilr9XxYCo8Gn2P9nH4pcqk-KRQi4AOnN5BBub4thhjsBmz7aOBdj7FHaMkKs1FpZCaMblMzAueolz2nbkA0fNrPV13vp5aBINbWZIPeJpES55RZh7e3c3Lj38pw2LQ/s640/IMG_5994.jpg" width="640" /></a></div>
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When he raised the camera and looked through the viewfinder, my mother asked him what he saw. «The same old thing», he said. «What is it?» «A blur blot,» he said. «Then, why you do it?»«In case one day my eyes get healed. To know what I was looking at». "<br />
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<i>"The history of love" Nicole Krauss</i>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com1tag:blogger.com,1999:blog-23597442.post-71958201750641865992010-10-26T00:22:00.001+02:002012-08-19T01:05:40.555+02:00the Moment<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">" La vida está llena de hermosuras impredecibles y sorpresas extrañas.</span><br />
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A veces, la belleza me supera y no se cómo afrontarla. ¿Conoces la sensación? ¿ cuando algo es demasiado hermoso?</div>
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¿cuando alguien dice algo, o escribe algo o toca algo que te conmueve hasta las lágrimas, que llega incluso a cambiarte?"</div>
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Mark Oliver Everett <i>"Cosas que los nietos deberían saber"</i></div>
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"Life is full of unpredictable beauties and odd surprises.</div>
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Sometimes, beauty is beyond me and i dont know how to face it. </div>
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Do you know the feeling? When something is too good?</div>
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When someone says something or writes something or touch something that moves you to tears, so far as to change you?"</div>
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Mark Oliver Everett <i>"Things the grandchildren should know"</i></div>
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Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com9tag:blogger.com,1999:blog-23597442.post-76700670811835499272010-09-28T22:55:00.000+02:002012-08-19T16:49:44.949+02:00Sobre sonreir/ About smiling<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">SONREIR</span><br />
<span style="font-size: small;"><span style="font-family: "Courier New",Courier,monospace;">1. Reírse un poco o levemente, y sin ruido. </span><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">2. Dicho de una cosa: Ofrecer un aspecto alegre o gozoso.</span><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">3. Desde un punto de vista fisiológico, una sonrisa es una expresión facial formada al flexionar los 17 músculos cerca de los extremos de la boca, pero también alrededor de los ojos</span><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">La </span><span style="font-family: "Courier New",Courier,monospace;"><b>sonrisa de Duchenne</b>, nombrada así por el investigador Guillaume Duchenne, es la sonrisa más estudiada. Involucra el movimiento de los músculos cigomáticos mayor y menor cerca de la boca y el músculo orbicular cerca de los ojos. Se cree que la sonrisa de Duchenne es producida como una respuesta involuntaria a una emoción real. Es lo que se puede llamar una <b>sonrisa genuina</b>.</span></span><br />
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<i><span style="font-family: "Courier New",Courier,monospace;">SMILE</span><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">1. To Laugh only </span></i><i><span style="font-family: "Courier New",Courier,monospace;">a little </span></i><i><span style="font-family: "Courier New",Courier,monospace;">bit or </span></i><span style="font-family: "Courier New",Courier,monospace;">slightly</span><i><span style="font-family: "Courier New",Courier,monospace;">, and without noise.</span><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">2. Said about one thing: Object that provides a cheer or joy.</span><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">3. From a physiological point of view, a smile is a facial expression formed by flexing the 17 muscles that exists near the ends of the mouth, but also around the eyes.</span><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;"><b>The Duchenne smile</b>, named by the </span><span style="font-family: "Courier New",Courier,monospace;">neurologist</span></i><i><span style="font-family: "Courier New",Courier,monospace;"> Guillaume Duchenne, is the most studied smile. Involves the movement of major and minor zygomatic muscles around the mouth and the orbicularis muscle near the eyes. It is believed that the Duchenne smile is produced as an involuntary reply to a real emotion. Is what can be called a <b>genuine smile</b>. </span></i><br />
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Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com3tag:blogger.com,1999:blog-23597442.post-29306605447904195322010-08-29T17:45:00.000+02:002010-08-29T17:45:10.150+02:00Et in Arcadia ego. Places<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfcoepCZjeRdpp-LYOnxJoyo-GJxDYxdeV0UIqr-k_ano-PHPjyaAMF1lVEnOzzeXKiSIcLnxHuGmbYYTuhDuYwSeaGADbiQ5SbWpndlvhXmn53P1yDlfQmgBJoBuJ9WPR4-CJA/s1600/IMG_0892.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfcoepCZjeRdpp-LYOnxJoyo-GJxDYxdeV0UIqr-k_ano-PHPjyaAMF1lVEnOzzeXKiSIcLnxHuGmbYYTuhDuYwSeaGADbiQ5SbWpndlvhXmn53P1yDlfQmgBJoBuJ9WPR4-CJA/s400/IMG_0892.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><br />
Vivir en una habitación ¿qué es? Vivir en un sitio ¿es apropiárselo? ¿Qué es apropiarse de un sitio?<br />
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¿A partir de qué momento un sitio es verdaderamente de uno ¿Cuando se han puesto a remojo los tres pares de calcetines en un lavatorio de plastico rosa?<br />
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¿Cuando se han recalentado unos espaguetis en una cocinilla de camping?<br />
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¿Cuando se han utilizado todas las perchas descabaladas del guardarropa? ¿Cuando se ha clavado en la pared una vieja postal que representa el suefio de Santa Ursula de Carpaccio?<br />
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¿Cuando se han experimentado allí las ansias de la espera, o las exaltaciones de la pasión, o los tormentos del dolor de muelas? <br />
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¿Cuando se han vestido las ventanas con cortinas al gusto y colocado el papel pintado y acuchillado el parquet?<br />
Georges Perec. <i>Especies de Espacios </i><br />
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“What does it mean, to live in a room? Is to live in a place to take possession of it? What does taking possession of a place mean?<br />
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As from when does somewhere become truly yours? Is it when you’ve put your three pairs of socks to soak in a pink plastic bowl?<br />
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Is it when you’ve heated up your spaghetti over a camping-gaz?<br />
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Is it when you’ve used up all the non-matching hangers in the cupboard? Is it when you’ve drawing-pinned to the wall an old postcard showing Carpaccio’s ‘Dream of St Ursula’?<br />
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Is it when you’ve experienced there the throes of anticipation, or the exaltations of passion, or the torments of a toothache?<br />
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Is it when you’ve hung suitable curtains up on the windows, and put up the wallpaper, and sanded the parquet flooring?”<br />
George Perec. <i>Species of Spaces</i>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com4tag:blogger.com,1999:blog-23597442.post-24369259299268801562010-08-22T04:59:00.000+02:002010-08-22T04:59:24.641+02:00Et in arcadia ego I. the journey<div style="font-family: "Courier New",Courier,monospace;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP4ijgZW9YHcQ2XfdP54rIFk33SMuA1HP0NRwiGVJYV6CoeEZFbjDfMr7yIPEqc6YiUoxwLJvXjjJk9MtDRkD886TipBeajLjtwnRL5qftW8SRwSXOa_N1738XiIQYqVw6vVpZcQ/s1600/IMG_1215.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP4ijgZW9YHcQ2XfdP54rIFk33SMuA1HP0NRwiGVJYV6CoeEZFbjDfMr7yIPEqc6YiUoxwLJvXjjJk9MtDRkD886TipBeajLjtwnRL5qftW8SRwSXOa_N1738XiIQYqVw6vVpZcQ/s400/IMG_1215.jpg" width="400" /></a></div><br />
"Si algún ciudadano desea visitar a un amigo que mora en otra ciudad, consigue fácilmente licencia del Sifogrante y del Traniboro, a menos que haya impedimento para ello. Nadie viaja solo, sino que parten en grupos, llevando una carta del Príncipe en la que consta la autorización del viaje [...] Si no van con ellos mujeres, renuncian al carro, por considerarlo un estorbo y una molestia.<br />
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Y aunque no llevan nada consigo, de nada carecen durante el viaje, pues donde quiera que se hallen están en su casa."</div><div style="font-family: "Courier New",Courier,monospace;"><br />
</div><i style="font-family: "Courier New",Courier,monospace;">Utopía, Tomas Moro.</i> <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA1XhuJZp5SkqKwJ-xv1HzFWcHRVJURbqkzIXoW7C6YGMhYv7zHEF-Wi125djSpnbE_DaQ2Sf5cSjsNM2_IkOz2LTk7KnwioSce7qSfNQF_g1HQUbehAV7feR5upU8zr4OTVsJxg/s1600/IMG_0785.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA1XhuJZp5SkqKwJ-xv1HzFWcHRVJURbqkzIXoW7C6YGMhYv7zHEF-Wi125djSpnbE_DaQ2Sf5cSjsNM2_IkOz2LTk7KnwioSce7qSfNQF_g1HQUbehAV7feR5upU8zr4OTVsJxg/s400/IMG_0785.jpg" width="267" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"></div><div style="font-family: "Courier New",Courier,monospace;"><br style="font-family: "Courier New",Courier,monospace;" /><br style="font-family: "Courier New",Courier,monospace;" /><span style="font-family: "Courier New",Courier,monospace;">"If any citizen wishes to visit a friend who lives in another city, easily he gets license from the Traniboro or the Stywards, unless it is unable to do so. No one travels alone, but leave in groups, carrying a letter from Prince that approves it [...] If you they dont travel with any women they get rid of the car, considered a nuisance.</span><br />
<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjztodNAAhITcwScD9wwzIquqxBKvjjJQvWJQyMe2GjBoOXYDu2QJdl5VCrSCtYagw8cb48e36ZDr1UpD6Ctafs5E3MrDqU1cG5lMNCYrPRh45rkCgcVaQ-KU6ooX5d8HVhS18Cww/s1600/IMG_1244.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjztodNAAhITcwScD9wwzIquqxBKvjjJQvWJQyMe2GjBoOXYDu2QJdl5VCrSCtYagw8cb48e36ZDr1UpD6Ctafs5E3MrDqU1cG5lMNCYrPRh45rkCgcVaQ-KU6ooX5d8HVhS18Cww/s400/IMG_1244.jpg" width="400" /></a></div><span style="font-family: "Courier New",Courier,monospace;"> </span></div><div style="font-family: "Courier New",Courier,monospace;"><span style="font-family: "Courier New",Courier,monospace;">And although they dont carry anything with them, they dont miss anything during the journey. wherever they stayed they are at home"</span><span class="long_text" id="result_box"><span style="background-color: white;" title="">. </span></span></div><div style="font-family: "Courier New",Courier,monospace;"><i style="font-family: "Courier New",Courier,monospace;">Utopía, Tomas Moro.</i><span class="long_text" id="result_box"><span style="background-color: white;" title=""> </span></span></div>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com0tag:blogger.com,1999:blog-23597442.post-53203156717881711282010-08-10T22:01:00.002+02:002010-08-11T20:17:20.297+02:00Sobre el equilibrio/ about equilibrium<div class="separator" style="clear: both; text-align: center;"></div><br />
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<span class="Apple-style-span" style="font-style: normal;"><i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">"Hay dos clases de personas</span></i></div></i></span></div><span class="Apple-style-span" style="font-style: normal;"></span><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">Los que viven, juegan y mueren.</span></i></div></i></div></span></i></div><div style="text-align: center;"><i><span class="Apple-style-span" style="font-style: normal;"><br />
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<span class="Apple-style-span" style="font-style: normal;"><i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">Y los que se mantienen en equilibrio en la arista de la vida.</span></i></div></i></span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-style: normal;"><i></i></span><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">Los actores.</span></i></div></i></div><div style="text-align: center;"><i></i><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">Y los funámbulos."</span></i></div></i></div></span></i></div><div class="separator" style="clear: both; text-align: center;"></div><div><div style="text-align: center;"><span class="Apple-style-span" style="font-style: normal;"><br />
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<span class="Apple-style-span" style="font-style: normal;"><i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;"><i>Nieve</i>. Maxence Fermine</span></i></div></i></span></div><span class="Apple-style-span" style="font-style: normal;"></span><br />
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<span class="Apple-style-span" style="font-style: normal;"><div style="text-align: center;"><i><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">Fotos:</span></span></i> <span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span class="Apple-style-span" style="font-size: small;"><i>Brandon d'Leo instalando sus piezas " From Rockaway with Love" y "Untitled" en Bloomingdale's Santa Monica. California.</i></span></span></div><div style="text-align: center;"><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">"There are two kinds of people </span></i></div></i></div><div style="text-align: center;"><i></i><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">Those who live, play and die. </span></i></div></i></div><div style="text-align: center;"><i></i><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">And those who remain in equilibrium at the edge of life. </span></i></div></i></div><div style="text-align: center;"><i></i><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">the actors. </span></i></div></i></div><div style="text-align: center;"><i></i><br />
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<i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;">And the acrobats. "</span></i></div></i></div><div style="text-align: center;"><br />
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<span class="Apple-style-span" style="font-style: normal;"><i><div style="display: inline !important;"><i><span class="Apple-style-span" style="font-style: normal;"><i>Snow</i>. Maxence Fermine</span></i></div></i></span></div></i></span></i><i><span class="Apple-style-span" style="font-style: normal;"><i></i></span></i><br />
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<i><span class="Apple-style-span" style="font-style: normal;"><div style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><i><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">Photos:</span></span></i> <span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span class="Apple-style-span" style="font-size: small;"><i>Brandon d'Leo installing his pieces " From Rockaway with Love" and "Untitled" in Bloomingdale's Santa Monica. California.</i></span></span></div></div></span></i></div></i></span></i><i><span class="Apple-style-span" style="font-style: normal;"> </span></i></div></i>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com3tag:blogger.com,1999:blog-23597442.post-78693565979113095982010-07-11T18:28:00.005+02:002010-07-14T20:10:12.465+02:00Lo mejor de cada casa<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZa0rp8BdcO_bhL_dqX3R7K8sGluHiMDEfW3rSc-_Ha4aZZCJaVVgb2gKFIrQKjHNc_OFetCI0qoi8Sj7gVFU1PnN1NvXo6SDCpFnszgohRwYzKanQ51VrggYYTwO5t_8bsngPw/s1600/01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZa0rp8BdcO_bhL_dqX3R7K8sGluHiMDEfW3rSc-_Ha4aZZCJaVVgb2gKFIrQKjHNc_OFetCI0qoi8Sj7gVFU1PnN1NvXo6SDCpFnszgohRwYzKanQ51VrggYYTwO5t_8bsngPw/s640/01.jpg" width="640" /></a></div><br />
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<span style="font-family: "Courier New",Courier,monospace;">Invitada por Karolina Arija y el magnánimo GrandeGraphix participo en la propuesta LAS LETRAS DEL BARRIO.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">LAS LETRAS DEL BARRIO trata de recoger y mostrar las re-interpretaciones de las letras que conviven en el Barrio de Las Letras, desde el punto de vista subjetivo de cada autor y con el objetivo de dar valor al arte tipográfico desde su forma hasta su sentido. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Para la convocatoria presento una serie titulada "Lo mejor de cada casa", una reflexión sobre la lírica del comercio de barrio. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Dípticos que muestran a partir de fotografías de palabras y lugares, aquello que cada "casa" aporta de especial a sus productos, reflexionando sobre su sentido poético.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">El resultado de este desafío se expondrá del 16 al 25 de julio en La sede de Gráficas Almeida (c/ Santa maría 14 y 16. Madrid). <a href="http://www.facebook.com/?ref=logo#%21/profile.php?id=100001250981473">Aqui</a> el link del evento.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Y si, tambien teneis activa, por fin, la nueva web </span><a href="http://www.sofiadejuan.com/" style="font-family: "Courier New",Courier,monospace;">www.sofiadejuan.com</a><span style="font-family: "Courier New",Courier,monospace;">. Gracias a todos los que han colaborado a que fuese posible.</span><br />
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<span style="font-family: "Courier New",Courier,monospace;">Pasen y vean.</span><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik0nfKWTNTDBDpRMJ1xUgxa6bI33wscGw0A3LB7BmSKHialWTbpA6uQn56IX2PrVyfQycjATfS2bKQJ3agT_QWVYUmKHO33ju9e9rBfKI9NPu2kkpA8DcBZ2vPBBu-3NnL9yZGbw/s1600/03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik0nfKWTNTDBDpRMJ1xUgxa6bI33wscGw0A3LB7BmSKHialWTbpA6uQn56IX2PrVyfQycjATfS2bKQJ3agT_QWVYUmKHO33ju9e9rBfKI9NPu2kkpA8DcBZ2vPBBu-3NnL9yZGbw/s640/03.jpg" width="640" /></a></div><div style="text-align: center;"><br />
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<span style="font-family: "Courier New",Courier,monospace;">Invited by Karolina Arija and the magnanimous GrandeGraphix i am participating in the proposal LAS LETRAS DEL BARRIO. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> LAS LETRAS DEL BARRIO is a way to collect and display the re-interpretations of the letters that coexist in the Barrio de las Letras of Madrid, from the subjective viewpoint of each author and with the aim of giving value to the typographical art from its shape as to its meaning. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> For the present call im going to show a series entitled "lo mejor de cada casa" ( the very best of each house), a lyrical reflection on the neighborhood trade. </span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> If you want to see the result of this challenge, it will be exhibited from 16th to 25th July at the headquarters of Graphic Almeida (c / Santa Maria 14 and 16. Madrid). </span><span style="font-family: "Courier New",Courier,monospace;"><a href="http://www.facebook.com/?ref=logo#%21/profile.php?id=100001250981473">here</a> is the link to the show</span><br />
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<span style="font-family: "Courier New",Courier,monospace;"> And finally, you can see also the new website </span><a href="http://www.sofiadejuan.com/" style="font-family: "Courier New",Courier,monospace;">www.sofiadejuan.com</a><span style="font-family: "Courier New",Courier,monospace;">.thanks to everybody that has contributed to make it possible.</span><br />
<span style="font-family: "Courier New",Courier,monospace;"> Come and see. </span><span class="long_text" id="result_box"><span onmouseout="this.style.backgroundColor='#fff'" onmouseover="this.style.backgroundColor='#ebeff9'" title="Pasen y vean."><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8UyPYyHa13GRlAQH0Z6u1me4YvNIeA7PBelKlXV8bItIY3PAPhFn0d0-Y-OPTduz3jLQOHSjKR1ySkr_Kn8mKAwRUCjZtGsBrPOfoVn90Fn-LBOStJlC2zAXMDSU9cygb8VPY4w/s1600/LasLetrasImag-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8UyPYyHa13GRlAQH0Z6u1me4YvNIeA7PBelKlXV8bItIY3PAPhFn0d0-Y-OPTduz3jLQOHSjKR1ySkr_Kn8mKAwRUCjZtGsBrPOfoVn90Fn-LBOStJlC2zAXMDSU9cygb8VPY4w/s320/LasLetrasImag-1.jpg" width="244" /></a></div>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com1tag:blogger.com,1999:blog-23597442.post-71671846342289704962010-06-20T11:35:00.011+02:002010-06-20T12:08:39.857+02:00Sobre el aprendizaje de la separación/ About the learning of being apart<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8tVC_74hqUlv5z-tIc2MEfsom15qCaK0z13g6j_tvtAy4hP6Wt-AaQ6LHQ3J7FrVDT3XEM4ufVmZAWDrkCTzG9vfgWjyj0QQ08UUGC4fu33_zqnVTgdPGpffG3W8LsdtsyJaXXw/s1600/IMG_7691.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8tVC_74hqUlv5z-tIc2MEfsom15qCaK0z13g6j_tvtAy4hP6Wt-AaQ6LHQ3J7FrVDT3XEM4ufVmZAWDrkCTzG9vfgWjyj0QQ08UUGC4fu33_zqnVTgdPGpffG3W8LsdtsyJaXXw/s400/IMG_7691.jpg" alt="" id="BLOGGER_PHOTO_ID_5484790951447770082" border="0" /></a><br /><span style="font-family:courier new;">"El nacimiento da comienzo al proceso de aprendizaje de la separación. La separación es dificil de aceptar o creer. Y, sin embargo, a medida que la aceptamos, se desarolla nuestra imaginación, la capacidad de reconectar, de unir, aquello que está separado. La metáfora descubre los indicios que muestran la totalidad. Los actos de solidaridad, compasión, abnegación, generosidad, son intentos de restablecer -o al menos una negativa al olvido- una unidad perdida."</span> <span style="font-style: italic;font-family:courier new;" >John Berger<br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRL0jkSlgKcX5r1Qz9Bmo7Y2HgPqR9bcsOKICWXDT9hHzGhP0q3mJHoKXDZLf0YC4KCG9ylGJUy-msosyd7QuL8LM6a7J2XR37uvpo4lYR7ycgnkNHwiS-SsBVw7zgt9IwXiiuYg/s1600/IMG_7554.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRL0jkSlgKcX5r1Qz9Bmo7Y2HgPqR9bcsOKICWXDT9hHzGhP0q3mJHoKXDZLf0YC4KCG9ylGJUy-msosyd7QuL8LM6a7J2XR37uvpo4lYR7ycgnkNHwiS-SsBVw7zgt9IwXiiuYg/s400/IMG_7554.jpg" alt="" id="BLOGGER_PHOTO_ID_5484792299194606290" border="0" /></a><br /><span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255);" title=""El nacimiento da comienzo al proceso de aprendizaje de la separación. La separación es dificil de aceptar o creer. Y, sin embargo, a medida que la aceptamos, se desarolla nuestra imaginación, la capacidad de reconectar, de unir, aquello que está separado" onmouseover="this.style.backgroundColor='#ebeff9'" onmouseout="this.style.backgroundColor='#fff'"></span></span><span style="font-family:courier new;">"The birth begins the learning process of separation. The separation is difficult to accept or tobelieve. However, as we accept it, it develops our imagination, the ability to reconnect, to bind, what it has been separated . The metaphor discover the evidence that shows the whole.</span><span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255);" title=". La metáfora descubre los indicios que muestran la totalidad. Los actos de solidaridad, compasión, abnegación, generosidad, son intentos de restablecer -o al menos una negativa al olvido- una unidad perdida."" onmouseover="this.style.backgroundColor='#ebeff9'" onmouseout="this.style.backgroundColor='#fff'"><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWh2P0JXucrziuD2vNVXR3OdUUe4nux3e-Fqm8QSdT6FEBbGvkw4wdEvS_42d0ATW1REfSeA16blDGOR9Oy-Too-CE2uBe6yB2AEGCYzAF3KT2TSQ-zy707l11zD5W-06Fgji9Jw/s1600/IMG_7668.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWh2P0JXucrziuD2vNVXR3OdUUe4nux3e-Fqm8QSdT6FEBbGvkw4wdEvS_42d0ATW1REfSeA16blDGOR9Oy-Too-CE2uBe6yB2AEGCYzAF3KT2TSQ-zy707l11zD5W-06Fgji9Jw/s400/IMG_7668.jpg" alt="" id="BLOGGER_PHOTO_ID_5484790565176138930" border="0" /></a><span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255);" title=". La metáfora descubre los indicios que muestran la totalidad. Los actos de solidaridad, compasión, abnegación, generosidad, son intentos de restablecer -o al menos una negativa al olvido- una unidad perdida."" onmouseover="this.style.backgroundColor='#ebeff9'" onmouseout="this.style.backgroundColor='#fff'"> </span></span><br /><span style="font-family: courier new;">The acts of solidarity, compassion, selflessness, generosity, are attempts to restore -or at least a refusal to forget- a lost unity". John Berger</span><span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255); font-style: italic;" title="John Berger" onmouseover="this.style.backgroundColor='#ebeff9'" onmouseout="this.style.backgroundColor='#fff'"></span></span><div align="left"><span id="zippyspan" onclick="_rolldown()" style="display: block;"><img src="http://www.google.es/images/cleardot.gif" style="margin-right: 0.33em; cursor: pointer; visibility: visible;" id="zippyicon" class="buttons square13 zippy-plus" /></span></div>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com3tag:blogger.com,1999:blog-23597442.post-49628558458332197542010-06-04T22:01:00.033+02:002010-06-07T01:43:36.291+02:00Explorando territorios personales/ exploring personal territories<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyZ2XfBWc_pQ-QkeEvx9OwYjbJxqS8r5s9sYcrSJkK3DBKC7KuH5Ws86TFjZJw3-38jMJvddc3JQ9L1nBu46kAl0vUmy2LAkIfrBlkz8Gjqy89QmTx1mZQ5iU3vxJ6AeWLCN3XBg/s1600/IMG_7768.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyZ2XfBWc_pQ-QkeEvx9OwYjbJxqS8r5s9sYcrSJkK3DBKC7KuH5Ws86TFjZJw3-38jMJvddc3JQ9L1nBu46kAl0vUmy2LAkIfrBlkz8Gjqy89QmTx1mZQ5iU3vxJ6AeWLCN3XBg/s400/IMG_7768.jpg" alt="" id="BLOGGER_PHOTO_ID_5479013381879751538" border="0" /></a> <span style="font-family:courier new;">"</span> <span style="font-family:courier new;">-Ya, entonces allá arriba todo es tuyo…</span> <span style="font-family:courier new;"><br />-¡Claro¡ Territorio mío personal, esto es – e hizo un vago ademán hacia las ramas, las hojas a contraluz, el cielo-.<br />Las ramas de los árboles son todas territorio mío. [...]<br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjslpF6_fKVm-bFYS9zv76xvs-aBaiNUkMsmDXAs7zZHoIbfMrvxeapVmRhT-98lkbAJIz__RA8qAAN6iVmn4c2WTEIxgbxV9S0Yb46dKT9pkCH9fzToFBkVCTdxa-6-KWXqx5jVQ/s1600/IMG_7588.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjslpF6_fKVm-bFYS9zv76xvs-aBaiNUkMsmDXAs7zZHoIbfMrvxeapVmRhT-98lkbAJIz__RA8qAAN6iVmn4c2WTEIxgbxV9S0Yb46dKT9pkCH9fzToFBkVCTdxa-6-KWXqx5jVQ/s400/IMG_7588.jpg" alt="" id="BLOGGER_PHOTO_ID_5479737066925672658" border="0" /></a><br /><span style="font-family:courier new;">-¿Ah, sí? ¿y hasta dónde llega ese territorio tuyo?</span> <span style="font-family:courier new;"><br />-Hasta donde se consiguiese llegar andando con los árboles, por acá, por allá, al otro lado del muro, al olivar, hasta las colinas, al otro lado de la colina, al bosque, a las tierras del Obispo…</span> <span style="font-family:courier new;"><br />-¿Incluso hasta Francia?</span> <span style="font-family:courier new;"><br />-Hasta Polonia y Sajonia- dijo Cosimo, [...]<br />-Pero yo no soy egoísta como tú. Yo te invito a mi territorio – [...]<br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ56vs-tvav1BCvgZYVw_vBX5CCf_0VIMHgtFqt4LVk2y0v3q1_tPK15vXAEmkc55mXjVFoxsn0c4f-iacMCzkfrbGJ4DpDOBDzmV0WD0ixxllv_AOBXj0K3ULRRQ-o-8u61RYuQ/s1600/IMG_7681.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ56vs-tvav1BCvgZYVw_vBX5CCf_0VIMHgtFqt4LVk2y0v3q1_tPK15vXAEmkc55mXjVFoxsn0c4f-iacMCzkfrbGJ4DpDOBDzmV0WD0ixxllv_AOBXj0K3ULRRQ-o-8u61RYuQ/s400/IMG_7681.jpg" alt="" id="BLOGGER_PHOTO_ID_5479729853764309746" border="0" /></a><br /><span style="font-family:courier new;">-¿Y el columpio, ¿ de quién es?- dijo ella, y se sentó en él, con el abanico abierto en la mano.</span> <span style="font-family:courier new;"><br />-El columpio es tuyo – estableció Cosimo-, pero como está atado a esta rama depende de mí. Así, pues, si estás en él, mientras tocas tierra con los pies estás en lo tuyo, si te levantas por el aire estás en lo mío.</span> <span style="font-family:courier new;">Ella se dio impulso y voló, con las manos agarradas a las cuerdas. Cosimo saltó desde la magnolia a la gruesa rama que sostenía el columpio, y desde allí agarró las cuerdas y se puso a balancearla. El columpio subía cada vez más alto.</span> <span style="font-family:courier new;"><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1j1XWUfKtZeJUc0WecwjHkKNrMcMJI0brHV-TgLvgrpkvzoB9pTEntO8LWXpb1l5QR7Rcil-v9n0Lxitb3CmL2oEARiCtYnFD0DXDOY7WXn08QF-kWKzRL2qI7JwTpB3pV4BGEQ/s1600/IMG_7573.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 267px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1j1XWUfKtZeJUc0WecwjHkKNrMcMJI0brHV-TgLvgrpkvzoB9pTEntO8LWXpb1l5QR7Rcil-v9n0Lxitb3CmL2oEARiCtYnFD0DXDOY7WXn08QF-kWKzRL2qI7JwTpB3pV4BGEQ/s400/IMG_7573.jpg" alt="" id="BLOGGER_PHOTO_ID_5479736695583281730" border="0" /></a><br /><span style="font-family:courier new;">-¿Tienes miedo?</span> <span style="font-family:courier new;"><br />-Yo no. ¿Cómo te llamas?</span> <span style="font-family:courier new;"><br />-Cosimo… ¿Y tú?</span> <span style="font-family:courier new;"><br />-Violante, pero me llaman Viola. [...]<br /></span> <span style="font-family:courier new;">- Yo puedo subir a tu territorio y soy un huésped sagrado, ¿vale? Entro y salgo cuando quiero. Tú en cambio eres sagrado e inviolable mientras estés en los árboles, en tu territorio, pero como toques el suelo de mi jardín te conviertes en mi esclavo encadenado.<br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFyGY1VBkfwN3Ce2kh5qO0BEIyXaeI2f5RZDlUZn7J5bEG_mw7P5Y7xBUW1hytxoyJlaMvAXUowKfAV_41CXRjhnrsnSPvWFvP9BtiO96_F_hCt5x6DOLV-R89IQ3YZA6QzT9eFg/s1600/IMG_7689.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 243px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFyGY1VBkfwN3Ce2kh5qO0BEIyXaeI2f5RZDlUZn7J5bEG_mw7P5Y7xBUW1hytxoyJlaMvAXUowKfAV_41CXRjhnrsnSPvWFvP9BtiO96_F_hCt5x6DOLV-R89IQ3YZA6QzT9eFg/s400/IMG_7689.jpg" alt="" id="BLOGGER_PHOTO_ID_5479744864577838642" border="0" /></a><br /><span style="font-family:courier new;">-No, yo no bajo a tu jardín y tampoco al mío. Para mí todo es territorio enemigo por igual. Tú vendrás aquí arriba conmigo, y vendrán tus amigos que roban fruta, quizá también mi hermano Biagio, aunque es un poco cobarde, y haremos un ejército sobre los árboles y reduciremos a la razón la tierra y sus habitantes". </span> <span style="font-style: italic;font-family:courier new;" ><br />"El barón Rampante" Ítalo Calvino</span> <span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255);" title=""><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2ZZWAn9GnZB90kFgpky0jAwgf2t-9Qr2K8axdlelxavzi1J8sKZ81Bhz1qQnD22WG0SkCs8vhbM1b1BB3LFGj4Y0gG7Vl6XGdeHQraGqp2vPQcj00YmaUQ2V2955yflf-sGPByA/s1600/IMG_7826.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2ZZWAn9GnZB90kFgpky0jAwgf2t-9Qr2K8axdlelxavzi1J8sKZ81Bhz1qQnD22WG0SkCs8vhbM1b1BB3LFGj4Y0gG7Vl6XGdeHQraGqp2vPQcj00YmaUQ2V2955yflf-sGPByA/s400/IMG_7826.jpg" alt="" id="BLOGGER_PHOTO_ID_5479744302436701906" border="0" /></a><br /><span style="font-family:courier new;">"Well, then everything up there is yours ...</span><br /><span style="font-family:courier new;">- Of course my personal territory, that is - and he made a vague gesture towards the branches, the leaves against the light, the sky. The branches of the trees are all my territory. [...]</span><span id="result_box" class="long_text" style="font-family:courier new;"><span title=""><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiRW9JMmYTtfmHre-TpvA0_EhVswUXIKVdVoNYNjIPQQMsYKwMu_pigtqLaaAlksrBT4moOOrcCZrjteg7lLXrVw_XMIEfJ48GQE-aG2pkB6BSwNbGJ5roTGw3RcqyrVxnmZfs7w/s1600/IMG_7687.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiRW9JMmYTtfmHre-TpvA0_EhVswUXIKVdVoNYNjIPQQMsYKwMu_pigtqLaaAlksrBT4moOOrcCZrjteg7lLXrVw_XMIEfJ48GQE-aG2pkB6BSwNbGJ5roTGw3RcqyrVxnmZfs7w/s400/IMG_7687.jpg" alt="" id="BLOGGER_PHOTO_ID_5479738546403335026" border="0" /></a><br /><span style="font-family:courier new;">- Oh, yeah?. And how far does it go that territory of yours?</span><br /><span style="font-family:courier new;">As far as you can walk on the trees around here and there, to the other side of the wall, the olive groves to the hills, on the other side of the hill, the forest, the land of the Bishop ...</span><br /><span style="font-family:courier new;">- Even to France?</span><br /><span style="font-family:courier new;">"Until Poland and Saxony," said Cosimo.- But I'm not selfish like you. I invite you to my territory - [...]</span><br /><span style="font-family:courier new;">- What about the swing, whose is it? - She said, and sat on it, with the open fan in her hand.</span><span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255);" title=""><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMTVwfqdRedzjcMR1janC0AvStCL0lSfiO-365V7brZO7UWSdVJDw6NYcz-ynQdtvow90NhJUnXnzaX7kPXc9XBgasDftdxs-gw38TD__a2GRLgY1Jlkk-62ukg9P1EEKgJ69zSw/s1600/IMG_7660.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMTVwfqdRedzjcMR1janC0AvStCL0lSfiO-365V7brZO7UWSdVJDw6NYcz-ynQdtvow90NhJUnXnzaX7kPXc9XBgasDftdxs-gw38TD__a2GRLgY1Jlkk-62ukg9P1EEKgJ69zSw/s400/IMG_7660.jpg" alt="" id="BLOGGER_PHOTO_ID_5479737226266565250" border="0" /></a><br /><span id="result_box" class="long_text" style="font-family:courier new;"><span style="background-color: rgb(255, 255, 255);" title=""></span></span><span style="font-family:courier new;">-The swing is yours - Cosimo-established- but because it is tied to this branch up it depends on me. So if you're on it, while you´re playing with your feet on the land you are in your part, if you wake up in the air you are in mine. She get impetus and flew, her hands clutching the ropes. Cosimo jumped from the magnolia to the thick branch that held the swing, and from there caught the ropes and began to rock her. The swing was rising higher.</span><span id="result_box" class="long_text"><span style="background-color: rgb(255, 255, 255);" title=""><span style="font-family:courier new;"><br /><br /></span></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPBblu7CxnJEtaQqqki1bm2vqdMF7OD7OmodvMa96WtUQmc-7o4uznRmbaSPyeZmYmxa2j94RYm0XHnsUF5-b0WRiyqfXXbv-rPppuZeXQQ_7zWHgnQuTpFfdD5f-IszON3VmpIw/s1600/IMG_7686.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPBblu7CxnJEtaQqqki1bm2vqdMF7OD7OmodvMa96WtUQmc-7o4uznRmbaSPyeZmYmxa2j94RYm0XHnsUF5-b0WRiyqfXXbv-rPppuZeXQQ_7zWHgnQuTpFfdD5f-IszON3VmpIw/s400/IMG_7686.jpg" alt="" id="BLOGGER_PHOTO_ID_5479738138208298466" border="0" /></a><br /><span style="font-family:courier new;">- Are you scared?</span><br /><span style="font-family:courier new;">-no, i´m not. What's your name?</span> <span style="font-family:courier new;"><br />-Cosimo ... And you?</span> <span style="font-family:courier new;"><br />-Violante, but everybody named me Viola. [...]</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3cRSr8B165IZCtBTYCoHt_8XB55CFGV9QYbi655Ye3OmovXn63lya0ejrmaxRsl8uSe4aYnyrLsv2s5KZIBwQpdtfs35o_WmJaaH5Nv0pOgLMe9PLibhBYkPUyCrOjSW4zv5LSw/s1600/IMG_7674.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3cRSr8B165IZCtBTYCoHt_8XB55CFGV9QYbi655Ye3OmovXn63lya0ejrmaxRsl8uSe4aYnyrLsv2s5KZIBwQpdtfs35o_WmJaaH5Nv0pOgLMe9PLibhBYkPUyCrOjSW4zv5LSw/s400/IMG_7674.jpg" alt="" id="BLOGGER_PHOTO_ID_5479737417978519186" border="0" /></a><br /><span style="font-family:courier new;">- I can go up to your territory and I´ll be a sacred guest, right? I can enter and leave whenever I want. You are however sacred and inviolable while you´re in the trees, in your territory, but if you touch the ground of my garden you´ll become my slave.</span> <span style="font-family:courier new;"><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj9CcpFizajLWvOwLGWQxfoMAYq1SX2zE0a4uG7jWm9P7kanehwjjjBNRJtuw9rVhS-ke2Rv9L7pK625v8l-lo9RaLTzcNWukUduZwq0N-m6k0BW4V_vRU2YkwrAdaEiiPK81rpQ/s1600/IMG_7688.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj9CcpFizajLWvOwLGWQxfoMAYq1SX2zE0a4uG7jWm9P7kanehwjjjBNRJtuw9rVhS-ke2Rv9L7pK625v8l-lo9RaLTzcNWukUduZwq0N-m6k0BW4V_vRU2YkwrAdaEiiPK81rpQ/s400/IMG_7688.jpg" alt="" id="BLOGGER_PHOTO_ID_5479738783344912082" border="0" /></a><br /><span style="font-family:courier new;">- No, I´ll not go down to your garden, nor mine. For me it is equally hostile territory. You'll come up here with me, and your friends that steal fruit can come too, perhaps my brother Biagio, although he is a little coward, and we will make an army on the trees and reduce to the reason to the hole earth and its inhabitants"</span> <span style="font-family:courier new;">.<br /></span><br /><span style="font-family:courier new;"><span style="font-style: italic;">"The Baron in the Trees" Ítalo Calvino</span></span>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com6tag:blogger.com,1999:blog-23597442.post-43108198918491030762010-05-25T18:52:00.027+02:002010-05-27T11:04:52.929+02:00Soy obra Tuya/ i´m your work<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik21GxXM4-MKrb2VduHmXIWxbsJ9BvVAvkE_2YpnOZ7rxFV8nSFDpLvE1MPeyjR3FRh_B2Bdj1_YWWFn2HhSrbHhHzhcumJ7qXljE8c9yQIFOorcZuwjfA42spidJ3sj82kiVJvg/s1600/736ideasenimagenesdefinitivo-30.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 276px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik21GxXM4-MKrb2VduHmXIWxbsJ9BvVAvkE_2YpnOZ7rxFV8nSFDpLvE1MPeyjR3FRh_B2Bdj1_YWWFn2HhSrbHhHzhcumJ7qXljE8c9yQIFOorcZuwjfA42spidJ3sj82kiVJvg/s400/736ideasenimagenesdefinitivo-30.jpg" alt="" id="BLOGGER_PHOTO_ID_5475579717161253202" border="0" /></a><br /><span style="font-family:courier new;">Yo soy obra tuya.Y tu obra mia. Esa responsabilidad que tenemos sobre los demás puede ser una carga o una oportunidad de cambiar las cosas, de hacer que la vida del otro sea un poco mejor.<br /></span><br /><span style="font-family:courier new;"> <span style="font-style: italic;">Soy obra tuya</span> es un proyecto </span><span style="font-family:courier new;">de Hablar en Arte </span><span style="font-family:courier new;">coordinado e ideado por Sofía de Juan(para servirles) con la colaboración del poeta y performer Julio Jara y enmarcado dentro del programa 736 ideas for a dream, de Transit Projects.</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Ab9bLpU2CD8VNJa97B0eLJW2Zkf1LX2BvNhoXRwG1DVdPXWb7-WSjKdaxsdzg-14KscxnHYzYlo8MkTpxlRlmd_GqxKwWhbmlq-re0EwbF97p1KWAK91kdSAsMZpwSDX50T5Qw/s1600/736ideasenimagenesdefinitivo-23.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 276px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Ab9bLpU2CD8VNJa97B0eLJW2Zkf1LX2BvNhoXRwG1DVdPXWb7-WSjKdaxsdzg-14KscxnHYzYlo8MkTpxlRlmd_GqxKwWhbmlq-re0EwbF97p1KWAK91kdSAsMZpwSDX50T5Qw/s400/736ideasenimagenesdefinitivo-23.jpg" alt="" id="BLOGGER_PHOTO_ID_5475579502627280978" border="0" /></a><br /><span style="font-family:courier new;">736 ideas for a dream se basa en el sueño de lograr una Europa libre de exclusión social. Para lograr este sueño, nuestro objetivo es recoger ideas que ayuden en esta tarea. El número 736 hace referencia al número de miembros activos del Parlamento Europeo cuando se puso en marcha este proyecto. Cada uno de ellos recibirá un libro con las ideas generadas, a modo de comunicación directa entre la pobación europea y sus representantes. </span><span style="font-family:courier new;">El proyecto se lleva a cabo en seis ciudades europeas.<br /><br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKhoj4JhZw5xKo0QaYdeMrgiNeFz1enZ0ZgTRg5OxcKTfLbaXuG1UO64UxdJ-xBMtn2LE6nlXgQRhi2gKzkyabDLTm6LtSbAI15xqqMQH85CAt3MhPOPQaCVaaoJcoj6icscwwdA/s1600/736ideasenimagenesdefinitivo-17.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 277px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKhoj4JhZw5xKo0QaYdeMrgiNeFz1enZ0ZgTRg5OxcKTfLbaXuG1UO64UxdJ-xBMtn2LE6nlXgQRhi2gKzkyabDLTm6LtSbAI15xqqMQH85CAt3MhPOPQaCVaaoJcoj6icscwwdA/s400/736ideasenimagenesdefinitivo-17.jpg" alt="" id="BLOGGER_PHOTO_ID_5475577690036508306" border="0" /></a><br /><span style="font-family:courier new;">Y como exclusión es sinónimo de prejuicios, de falta de empatía, de desconocimiento, con “Soy obra Tuya” hemos planteado una serie de actividades basadas en el establecimiento de redes entre comunidades que tienen mucho en común pero no se conocen. Este conjunto de actividades ha puesto en contacto a personas sin hogar con adolescentes pertenecientes a institutos del mismo barrio, fomentando la empatía y el establecimiento de lazos entre dos realidades contiguas que antes no se miraban.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3PyUDc_UbUnizUFnVcnFKBahWQKgU4gPf7hGMgEmqyhAwaAAoSFnE_SEeQ69os9A3mKJafgK9VTi5wn6rpiP_Bi9m8e3Br3yM1uYdy751XWQg4fSFo6NqacJzQjQ85s4YoMGERg/s1600/736ideasenimagenesdefinitivo-10.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 276px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3PyUDc_UbUnizUFnVcnFKBahWQKgU4gPf7hGMgEmqyhAwaAAoSFnE_SEeQ69os9A3mKJafgK9VTi5wn6rpiP_Bi9m8e3Br3yM1uYdy751XWQg4fSFo6NqacJzQjQ85s4YoMGERg/s400/736ideasenimagenesdefinitivo-10.jpg" alt="" id="BLOGGER_PHOTO_ID_5475576846833710610" border="0" /></a><br /><span style="font-family:courier new;">Para desarrollar las actividades Hablar en Arte ha contado además con, la Asoc. Dentro Fuera, el albergue San Martín de Porres , el Liceo Ibérico y el Colegio San José de Madrid.<br />Desde aqui solo puedo decir que este ha sido uno de los proyectos más enriquecedores de mi vida. Gracias de corazón a Tomás Guidó por haber confiado en mi y a todo el equipo de Transit por su excelente trabajo, a Fernando García y a David Martinez por su implicación con los chavales, a Cleto y Julio por ser el mejor equipo del mundo y en especial a Thiam, Jesús, los dos Juanes, Raul y Andrés, por la valentia de haber prestado su imagen y su voz.<br />A todos gracias, porque aohra también yo soy obra vuestra.<br />Si quereis ver los resultados del proyecto o más información<br />echad un vistazo en www.736ideas.eu </span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKKcL-4KPZyB0iIbulthTYofSyXY25lBFhuEYYuEyiUKMRTbOg1TC0w9baXDYWsuB77joVxlG8ScBuOQRw9HghRmN8im77RVzSRJbB_FYBnrw8dvelnhAxwemK1i5G12KGy4j4dQ/s1600/736ideasenimagenesdefbaja-4.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 306px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKKcL-4KPZyB0iIbulthTYofSyXY25lBFhuEYYuEyiUKMRTbOg1TC0w9baXDYWsuB77joVxlG8ScBuOQRw9HghRmN8im77RVzSRJbB_FYBnrw8dvelnhAxwemK1i5G12KGy4j4dQ/s400/736ideasenimagenesdefbaja-4.jpg" alt="" id="BLOGGER_PHOTO_ID_5475576130896786034" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-aH4AvIWGrZ3dA8fsIgPYUDsGs3sl3NjyJZFEZfAvFcyzJMBKyowCunIMbMClodTx27q1jSDLHO8JB_GGTYdV1G3N5Op_AOZodyWK0p2PN2B1G7LQsuyzReYoEm2Nb6ynjF1z2A/s1600/736ideasenimagenesdefinitivo-66.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 267px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-aH4AvIWGrZ3dA8fsIgPYUDsGs3sl3NjyJZFEZfAvFcyzJMBKyowCunIMbMClodTx27q1jSDLHO8JB_GGTYdV1G3N5Op_AOZodyWK0p2PN2B1G7LQsuyzReYoEm2Nb6ynjF1z2A/s400/736ideasenimagenesdefinitivo-66.jpg" alt="" id="BLOGGER_PHOTO_ID_5475581426380309794" border="0" /></a><br /><br /><span style="font-family:courier new;">For more information www.736ideas.eu </span><p class="Estilo14"><a href="http://hablarenarte.com/proyectos/www.736ideas.eu%20"></a></p><br /><br /><span style="font-family:courier new;">I am your work. and you are mine. </span><span style="font-family:courier new;">And this responsibility we have on others may stop being a burden to be an opportunity to change things, to make other's lives a little better. </span><br /><span style="font-family:courier new;">Soy obra tuya ( I´m your work) is a project of Hablar en Arte coordinated and designed by Sofia de Juan (that's me) in collaboration with the poet and performer Julio Jara and framed within the 736 ideas for a dream program , of Transit Projects. 736 ideas for a dream is based on achieving the dream of a Europe free from social exclusion. To achieve this dream, our goal is to collect ideas to assist in this task. The number 736 refers to the number of active members of the European Parliament when it set up this project. Each will receive a book of ideas generated, by way of direct communication between the European pobación and their representatives. The project is carried out in six European cities.</span><br /><span style="font-family:courier new;">If you want to see the results of the project or for more information</span><br /><span style="font-family:courier new;">take a look at www.736ideas.eu</span><span id="result_box" class="long_text"><span title=""></span></span>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com3tag:blogger.com,1999:blog-23597442.post-74860406014784548882010-05-11T01:24:00.020+02:002010-05-20T23:41:56.841+02:00Sobre las cicatrices y la paz/ About scars and peace<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBfLaJjAJCOn1bDlpX4Jrv5qf04jxbLjsGyFHhsWWHUJR43J5mPcOLdbiGCogllJY386BDh-3xbEuv_iPUBfYtEG_rILBvO5KV8ZEBrEuXGO8AthJUiqhRRFLUSNYH3XODbthdw/s1600/IMG_6854+copia.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 253px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBfLaJjAJCOn1bDlpX4Jrv5qf04jxbLjsGyFHhsWWHUJR43J5mPcOLdbiGCogllJY386BDh-3xbEuv_iPUBfYtEG_rILBvO5KV8ZEBrEuXGO8AthJUiqhRRFLUSNYH3XODbthdw/s400/IMG_6854+copia.jpg" alt="" id="BLOGGER_PHOTO_ID_5473469888805544818" border="0" /></a><br /><span style="font-family:courier new;">El 30 de enero de 1938 la aviación franquista realizó un duro bombardeo sobre la ciudad de Barcelona. 42 civiles murieron en esta plaza, la Plaza de San Felipe Neri, la mayoría de ellos niños.</span><br /><br /><span style="font-family:courier new;">Las víctimas corrían a refugiarse en la iglesia cuando cayeron las bombas. La fachada del templo aún presenta las señales de los impactos de la metralla. No se ha restaurado. Es una presencia ausente del dolor de pasado. Una cicatriz.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCkDrF3Lhxz0R0UIiEgbGgB0ncFrZ4J-_iX8HNJJ0AbGar1HvBgZ507e7S8-_vU0EdJBcm7360nEzN54DxboYGLuN0uMzv4vZ96NW6pKW527noUbGoZpwCbKWrLrBUu1J93dcgCw/s1600/IMG_6853copia.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCkDrF3Lhxz0R0UIiEgbGgB0ncFrZ4J-_iX8HNJJ0AbGar1HvBgZ507e7S8-_vU0EdJBcm7360nEzN54DxboYGLuN0uMzv4vZ96NW6pKW527noUbGoZpwCbKWrLrBUu1J93dcgCw/s400/IMG_6853copia.jpg" alt="" id="BLOGGER_PHOTO_ID_5473470087574321298" border="0" /></a><br /><span style="font-family:courier new;">En 2007 el artista esloveno Iztok Holc escogió esta misma pared para realizar su pieza que formó parte del proyecto "Crossing places: sensorial maps of European Crossed cities". Holc realizó un molde de la misma. Con paciencia y cariño buscó la fórmula con la textura y aspecto perfectos compuesta del más delicioso chocolate y rellenó el molde para fabricar una bella y exquista pieza comestible. </span><br /><span style="font-family:courier new;">Para encontrar la paz es necesario digerir el dolor. </span><br /><span style="font-family:courier new;">Me ha gustado no encontrar fotos de esta obra: se compartió entre los asistentes a la inauguración.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRxxuh4oz4Cx3pKEUeJ3uoaTkpFmxCGHfBKqKdBa8PUEXj6YxU5sgfTtNk-jDn3dgiZcdTokmh7a9C_doJkNv54tM3HxjBCwBKo2nqkvnpVawZM1Td1aaWbw7OMFsPsGta_vdVQw/s1600/IMG_6852copia.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 256px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRxxuh4oz4Cx3pKEUeJ3uoaTkpFmxCGHfBKqKdBa8PUEXj6YxU5sgfTtNk-jDn3dgiZcdTokmh7a9C_doJkNv54tM3HxjBCwBKo2nqkvnpVawZM1Td1aaWbw7OMFsPsGta_vdVQw/s400/IMG_6852copia.jpg" alt="" id="BLOGGER_PHOTO_ID_5473470412748097234" border="0" /></a><span style="color: rgb(102, 51, 51);font-family:courier new;" >On January 30, 1938 during the spanish civil war, Franco's aviation conducted a hard bombing on Barcelona. 42 people were killed in this square, San Felipe Neri's square. Most of them were children.</span><br /><br /><span style="color: rgb(102, 51, 51);font-family:courier new;" >The victims were running to take refuge in the church when the bomb fell. The facade of the temple still has signs of shrapnel impacts. this wall has not been restored till then. It is an absent presence of the past pain. A scar.</span><br /><br /><span style="color: rgb(102, 51, 51);font-family:courier new;" >In 2007 the Slovenian artist Iztok Holc chose the same wall to perform the piece that was part of the "Crossing places: Crossed sensory maps of European cities" project. Holc made a mold of it. With patience and affection he figure out the formula with the perfect texture and appearance made by the most delicious chocolate and filled the mold to produce a beautiful and exquise edible piece.</span><br /><span style="color: rgb(102, 51, 51);font-family:courier new;" >Its necessary to digest the pain to find peace .</span><br /><span style="color: rgb(102, 51, 51);font-family:courier new;" >So i like very much not to found any photos of this work: the piece was shared among those attending the opening.</span>Sofía de Juanhttp://www.blogger.com/profile/17902522101680617153noreply@blogger.com2